Christian fiction; Man-woman relationships -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
Nevertheless, she worked with indefatigable industry, as well as
undeniable talent. If her pictures evinced some lack of technical
skill, they were endued with a force and feeling which more than atoned
for its absence; since the one would address itself chiefly to
connoisseurs, while the other went straight to the universal heart.
They covered a wide range of subjects, yet a profound observer would
have traced a certain connection and sequence in them all. The earlier
and cruder efforts of her pencil were pleasant outdoor
scenes,--children wading in a sunshine brook, farm youths and maidens
tossing about new-mown hay, and village girls dancing under
wide-spreading boughs,--scenes so perfect in their idealization as to
seem familiar to every eye, yet never without that inestimable
something added or eliminated, which constitutes the difference between
the picturesque and the commonplace. After these came works not only
marked by greater skill of design and felicity of color, but informed
with a deeper feeling;--yet so delicately indicated that none but the
finest instinct would have perceived how softly Love illumined the
landscape, or shone in the smile of the youth, or looked up to the
maiden from her own downcast eyes reflected in the water. Then came a
sudden change,--pictures and sketches wherein the artist's pencil must
have been driven by some terrible intensity of feeling, to have wrought
with such sombre power;--such as an illimitable desert, with a man
riding fast toward a wan, setting sun, and his long, backward shadow
falling upon a woman's outstretched, yearning hands,--or the black
silhouette of a drifting and dismantled ship, seen against a blood-red
moon, setting in a dun and angry sea,--or a deep and dismal cavern,
with a female figure lying bruised and broken at the bottom of a
fissure, and a man, also torn and bleeding, seen at the end of a long
vista, searching for what he will not find. These pictures affected
the spectator like a nightmare; there was such a fell shadow of
immitigable fate in them all, and so notable an absence of anything
like hope or faith, that while he acknowledged their power, he
shuddered at their spirit.
Public-domain text, read in full here on John Shaqi.
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