Christian fiction; Man-woman relationships -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
Of course, Rumor could not help busying herself with a subject so
inviting as the artist, though so bare of definite results. She was
variously reported to be an escaped nun, a bride that had nearly lost
her life at the hands of an insane bridegroom, a widow--barely one
month a wife--seeking to throw off an intolerable burden of grief by
the help of new scenes, new faces, and a new manner of life, and an
heiress, fled from the importunities of harsh guardians and an
unwelcome suitor. It will serve as an indication of the occasional
correctness of the popular instinct, that not one of these conjectures
cast any shadow upon the whiteness of her fame. Not more inevitably
did her face suggest snow, marble, and whatever was at once white and
cold, than her demeanor suggested their chill purity. Moreover,
notwithstanding that she led so unfettered and independent a life, as
compared with the majority of her sex--dwelling under her own
guardianship, and ordering her day's routine to her own liking--the
closest scrutiny could not detect anything therein, that was not
austere, lonely, and laborious enough to suit the cell of an anchorite.
Yet, though there was so little in her way of living to suggest
affluence, it soon became known that her hands were open, and her purse
deep, to any claim upon her benevolence. While it never appeared that
she set herself to seek out objects of charity, to such as came to her,
either in person or by proxy, her bounty was generally far in excess of
the demand. The only grace which it lacked, was that subtle element of
the giver in the gift, which imparts a sympathetic warmth to the silver
or the gold, as it is dropped in the outstretched hand; augmenting, to
a degree incalculable by any known arithmetic, its power of relieving
the distressed heart. Though Miss Thane gave generously, she gave none
the less carelessly and coldly.
Public-domain text, read in full here on John Shaqi.
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