He could now see that he stood in a wide and lofty entrance-hall, decorated with a profusion of carved woodwork; panels, cornices, and casements, being ornamented with garlands of oaken roses, or quaint heads of animals, stiff as petrifactions, and almost ebon-black with time and rubbing. The furniture consisted of a small table, a cumbrous cabinet, and ponderous, high-backed chairs, of the Elizabethan age, or perhaps earlier, brought from England, as heir-looms, by the first emigrant Bergan. There was also a tall, spectral clock, which, to Bergan's intense astonishment, suddenly began to fill the hall with a loud, monotonous tick, as if the march of time, long ago arrested in the deserted mansion, was now duly resumed:--doubtless the rusty wheels had been jarred into spasmodic motion by the violent closing of the door. By way of decoration, there were a few dingy pictures, in dark, carved frames; and in two of the oaken panels hung complete suits of armor,--helmets, cuirasses, gorgets, greaves, and gauntlets,--memorials, not only of long-buried Bergans, but of long-vanished days. Hesitating, for a moment, between two half-open doors, Bergan finally chose to enter the main parlor, a room full of a dusky, old-time grandeur. A piano stood between the windows, over the keys of which he ran his fingers, but found that its music had been imprisoned so long as to have grown hoarse and melancholy. So, doubtless, had that of the harp, which showed skeleton-like through its torn baize cover, and was flanked by a pile of music-books, the leaves of which were yellow with age. Odd, unwieldy chairs, covered with faded silk damask and a rich coat of dust, kept solemn state in the dim corners; ottomans and footstools, elaborately embroidered by forgotten fingers with birds, flowers, and other once cheerful devices, stood under the windows, or were scattered around the floor. On the walls, in frames of tarnished magnificence, hung two or three pictures in worsted, the designs of which, like the hands that had wrought them, were now faded beyond recognition. Just in proportion as these things had once helped to brighten the room, they helped to make it more sombre now. Like the images of vanished joys, they were all the gloomier because once so glad. Looking upon them, Bergan was painfully impressed with the latent identity of gayety and grief. Only give them time enough, and they merge into the same dull neutral tint!