The women prefer the Dutch school. The ladies of Rotterdam, Amsterdam, and
the Hague are, in fact, the most fascinating skaters in the Netherlands.
They begin to skate as children, continue as girls and wives, reaching the
height of beauty and the summit of art at the same time, while their
skates strike out sparks from the ice which kindle many fires. It is only
on the ice that Dutch women appear light-heeled. Some attain a marvellous
perfection. Those who have seen them say that it is impossible to imagine
the grace of movement, the bows, the glides, the thousand pretty delicate
arts that are displayed. They fly and return like swallows and
butterflies, and in this exercise they grow animated and their placid
beauty is transformed. But all are not so skilled: many dare not show
themselves in public, for those who would be considered prodigies with us
are scarcely noticed there, to such perfection has the art been carried.
The men, too, perform all kinds of tricks and feats, some writing words of
love and fantastic figures in their twirls, others making rapid
pirouettes, then gliding backward on one leg for a long distance; others
twist about, making numbers of dizzy turns in a small space, sometimes
bending down, then leaning to one side, then skating upright or crouching
like india-rubber figures moved by a secret spring.
The first day that the canals and small docks are covered with ice
strong enough to bear the skaters is a day of rejoicing in the Dutch
towns. Skaters who have made the experiment at break of day spread the
news abroad; the papers announce it; groups of boys about the streets
burst into shouts of delight; men and women-servants ask permission to
go out with the determined air of people who have decided to rebel if
refused; old ladies forget their age and ailments and hurry off to the
canal to emulate their friends and daughters. At the Hague the basin,
which is in the middle of the city, near to the Binnenhof, is invaded
by a mingling crowd of people, who interlace, knock against each
other, and form a confused giddy mass. The flower of the aristocracy
skates on a pond in the middle of the wood, and there in the snow may
be seen a winding and whirling maze of officers, ladies, deputies,
students, old men, and boys, among whom the crown prince is sometimes
to be seen. Thousands of spectators crowd around the scene, music
enlivens the festival, and the enormous disk of the Dutch sun at
sunset sends its dazzling salutation through the gigantic beech trees.
Public-domain text, read in full here on John Shaqi.
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