The most beautiful fetes in Holland are given on the ice. When the
Meuse is frozen, Rotterdam becomes a place of reunions and amusements.
The snow is brushed away until the ice is made as clean as a crystal
floor; restaurants, coffee-houses, pavilions, and benches for
spectators are set up, and at night all is illuminated. During the day
a swarm of skaters of every age, sex, and class crowds the river. In
other towns, especially in Friesland, which is the classical land of
the art, there are clubs of men-and women-skaters who institute public
races for prizes. Stakes and flags are set up all along the canals,
railings and stands are raised; immense crowds come from the villages
and the country-side. Bands play; the elite of the town are present.
The skaters present themselves dressed in a peculiar costume, the
women wearing pantaloons. There are races for men and races for women;
then both men and women race together. The names of the winners are
enrolled in the annals of the art and remain famous for many years.
In Holland there are two different schools of skating, the so-called
Dutch school and the Frieslander school, each of which uses a peculiar
kind of skate. The Frieslander school, which is the older, aims only
at speed; the Dutch school cultivates grace as well. The Frieslanders
are stiff in their motions; they throw their bodies forward, and hold
themselves very straight, looking as though they were starched, and
keeping their eyes fixed on the goal. The Dutch skate with a zigzag
movement, swaying from left to right and from right to left with an
undulating motion of the body. The Frieslander is an arrow, the
Dutchman a rocket.
Public-domain text, read in full here on John Shaqi.
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