Bildungsromans; Christian fiction; London (England) -- Fiction
Thus on and on went the windmill of heart and brain, until at last the
devil, or the devil’s shadow--that is, the bad part of the man
himself--got the better, and Walter, not being true, did a
lie--published the thing he would no longer have said. He thought he
worshiped the truth, but he did not. He knew that the truth was
everything, but a lie came that seemed better than the truth. In his
soul he knew he was not acting truly; that had he honestly loved the
truth, he would not have played hocus-pocus with metaphysics and logic,
but would have made haste to a manly conclusion. He took the package,
and on his way to the dining-room, dropped it into the post-box in the
hall.
During lunch he was rather silent and abstracted; the package was not
gone, and his conscience might yet command him to recall it! When the
hour was passed, and the paper beyond recovery, he felt easier, saying
to himself, what was done could not be undone; he would be more careful
another time. One comfort was, that at least he had done no injustice to
Lufa! He did not reflect that he had done her the greatest injustice in
helping her to believe that worthy which was not worthy, herself
worshipful who was not worshipful. He told her that he finished her
drama before going to bed, and was perfectly charmed with it. That it as
much exceeded his expectations then as it had fallen below them since,
he did not say.
In the evening he was not so bright as before. Lufa saw it and was
troubled. She feared he doubted the success of her poem. She led the
way, and found he avoided talking about it. She feared he was not so
well pleased with it as he had said. Walter asked if he might not read
from it in the drawing-room. She would not consent.
“None there are of our sort!” she said. “They think literature
foolishness. Even my mother, the best of mothers, doesn’t care about
poetry, can not tell one measure from another. Come and read a page or
two of it in the summer-house in the wilderness instead. I want to know
how it will sound in people’s ears.”
Public-domain text, read in full here on John Shaqi.
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