Bildungsromans; Christian fiction; London (England) -- Fiction
“Then for God’s sake tell her, and have done with it! Anything will be
better than going on like this. I will not say what Lufa is; indeed I
don’t know what name would at all fit her! You think me a queer, dry,
odd sort of a customer: I was different when I fell in love with Lufa.
She is older than you think her, though not so old as I am. I kept
saying to myself she was hardly a woman yet; I must give her time. I was
better brought up than she; I thought things of consequence that she
thought of none. I hadn’t a stupid ordinary mother like hers. She’s my
second cousin. She took my love-making, never drew me on, never pushed
me back; never refused my love, never returned it. Whatever I did or
said, she seemed content. She was always writing poetry. ‘But where’s
her own poetry?’ I would say to myself. I was always trying to get
nearer to what I admired; she never seemed to suspect the least relation
between the ideal and life, between thought and action. To have an ideal
implied no aspiration after it! She has not a thought of the smallest
obligation to carry out one of the fine things she writes of, any more
than people that go to church think they have anything to do with what
they hear there. Most people’s nature seems all in pieces. They wear and
change their moods as they wear and change their dresses. Their moods
make them, and not they their moods. They are different with every
different mood. But Lufa seems never to change, and yet never to be in
one and the same mood. She is always in two moods, and the one mood has
nothing to do with the other. The one mood never influences, never
modifies the other. They run side by side and do not mingle. The one
mood is enthusiasm for what is not, the other indifference to what is.
She has not the faintest desire to make what is not into what is.
For love, I believe all she knows about it is, that it is a fine thing
to be loved. She loves nobody but her mother, and her only after a
fashion. I had my leg broken in the hunting-field once; my horse got up
and galloped off; I lay still. She saw what had happened, and went after
the hounds. She said she could do no good; Doctor Black was in the
field, and she went to find him. She didn’t find him, and he didn’t
come. I believe she forgot. But it’s worth telling you, though it has
nothing to do with her, that I wasn’t forgot. Old Truefoot went straight
home, and kept wheeling and tearing up and down before the windows, but,
till his own groom came, would let no one touch him. Then when he would
have led him to the stable, he set his forefeet out in front of him, and
wouldn’t budge. The groom got on his back, but was scarce in the saddle
when Truefoot was oft in a bee-line over everything to where I was
lying. There’s a horse for you! And there’s a woman! I’m telling you all
this, mind, not to blame her, but to warn you. Whether she is to blame
or not, I don’t know; I don’t understand her.
Public-domain text, read in full here on John Shaqi.
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