"The trouble with most of you young people," he was wont to say,
presenting as he went on the abhorrent spectacle of a man at the Café
Riche taking occasional sips from a glass of water, "is that you don't
realize that you are up against a _big thing_, the biggest thing there
is. You think you can just josh along somehow, pick out what looks good
to you, what you think would be pretty for your best girl to wear, and
have it go. Nothing like that! What _you_ like, what _you_ think is
pretty, hasn't a thing to do with what's going to happen. What's going
to happen, _happens_, whether anybody likes it or not, and the only
thing for us to do is to keep our ears to the ground _hard_ and try to
guess three or four months sooner than most people. Nobody can guess
further ahead than that and mighty few people even as far as that. Most
people don't know what style is coming till it hits them in the eye.
Now, to make a good guess you've got to keep your eyes open to
everything, everything, and then sort of gather yourself together and
listen, hold your breath and listen, as if you were eavesdropping folks
who were trying to keep a secret from you; as if you had to catch a very
faint A sounded way off that you could tune your own fiddle to. And
you've got to get passive all over, the way the hypnotizers tell you to
do, let yourself go, don't try to have any ideas of your own, don't try
to swim against the current, don't try to hurry things up by swimming
faster than the current. No power on earth can hurry that current, nor
make it bring anything but what it's going to bring! And it's up to us,
let me tell you, to take what it does bring! I've seen lots of styles
that nobody liked, not the modistes who made them, not the buyers who
took them to the States, not the hundreds of thousands of American women
who paid out their husbands' good money to buy them. And yet those
styles had just as big a vogue and lasted just as long as any others,
and the buyers who tried to dodge them and who chose what looked
prettier to them got everlastingly stung. And aren't there styles that
everybody just hates to see disappear, comfortable, decent, becoming
styles? But do they stay in, just because we'd like to have them? You
know they don't.
Public-domain text, read in full here on John Shaqi.
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