There, at the turn, where the road leaves the yellow wheat-fields to
enter the village, the flag is coming, the torn, ragged, dingy, sacred
tricolor. Back of it the trumpets, gleaming in the sun, proclaim its
honor. They are here, the poilus, advancing with their quick, swinging
step, so bravely light for all the cruel heavy sacks on their backs and
the rifles on their shoulders. Their four-ranked file fills our street
from side to side, as their trumpets fill our ears, as the fatigue and
courage of their faces fill our hearts. They are here, the splendid,
splendid soldiers who are the French poilus. Everybody's brother,
cousin, husband, friend, son, is there.
All Crouy leans from its windows to welcome them back from death--one
more respite. They glance up at the windows as they pass; the younger
ones smile at the girls' faces; the older ones, fathers certainly, look
wistfully at the children's bright heads. There are certain ones who
look at nothing, staring straight ahead at immaterial sights which will
not leave their eyes.
One detachment has passed; the rumbling has increased till your windows
shake as though in an earthquake. The camions and guns are going by, an
endless defile of monster trucks, ending with the rolling kitchen,
lumbering forward, smoking from all its pipes and caldrons, with the
regimental cook springing up to inspect the progress of his savory
ragoût.
After the formless tumult of the wheels, the stony street resounds again
to the age-old rhythm of marching men. Another detachment....
You dress quickly, seize the big box of cigarettes kept ready for this
time, and, taking the children by the hand, go out to help welcome the
newcomers as they settle down for their three weeks' rest.
Public-domain text, read in full here on John Shaqi.
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