Everywhere, everywhere where there is a scrap of cover from the sky, are huddled horses, mules, guns, wagons, and camions. Every spreading chestnut-tree harbors, not a blacksmith, but a dozen army mules tied close to the trunk. Near the station the ground under the close-set double line of trees in the long mall is covered to its last inch with munition-wagons and camions, and to reach the post-office on the other side of the little shady square you must pick your way back of lines of guns, set end to end, without an inch to spare. The aviators, whose machines wheel ceaselessly over the town, can see no change in its aspect, unless perhaps the streets and courtyards send up to the sky a gray-blue reflection like its own color. Not another trace of twelve hundred men with all their impedimenta betrays to the occasional German airman that Crouy's life is transformed. Three times a week, in the late afternoon, just before sunset, the regimental band gives a concert, in our big open square under the sycamores, where, in the softer passages of the music, the sound of splashing water mingles with the flutes. All Crouy puts on its Sunday best and comes out to join itself to the horizon-blue throngs, and the colonel and his staff stand under the greatest of the sycamores, listening soberly to the music and receiving paternally the salutes of the men who saunter near him. Once during their stay there is a _prise-d'armes_, on the square, when the men who have especially distinguished themselves are decorated with the _croix de guerre_. All Crouy goes to see that, too--all Crouy means now, you must remember, old men, women, little children, and babies--and stands respectfully, with tear-wet eyes, watching the white-haired colonel go down the line, pinning on each man's breast the sign of honor, taking his hand in a comrade's clasp and giving him on both cheeks a brother's kiss. That is a sight the children there will not forget, those two, bronzed, grave soldiers' faces, meeting under their steel casques in the salutation of blood-kin. * * * * * And once there is a mass said for the regimental dead in the old, old church. All Crouy goes there too, all Crouy lost in the crowd of soldiers who kneel in close ranks on the worn stones, the sonorous chant of whose deep voices fills the church to the last vaulting of the arches which echoed to the voices of those other Crusaders, praying there for their dead, six hundred years ago. The acolytes at the altar are soldiers in their shabby honorable uniforms; the priest is a soldier; the choir is filled with them singing the responses; in an interval of the service up rise two of them near the organ, violin in hand, and the French church rings with the angel's voice of whom but old Johann Sebastian Bach--oh, generous-hearted, wise poilu musicians, who hate only what is hateful!