United States -- Social life and customs -- To 1775
By 1676 the Royal Commissioners wrote of Boston that the streets were
crooked, and the houses usually wooden, with a few of brick and stone.
It is a favorite tradition of brick houses in all the colonies that the
brick for them was brought from England. As excellent brick was made
here, I cannot believe all these tales that are told. Occasionally a
house, such as the splendid Warner Mansion, still standing in
Portsmouth, New Hampshire, is proved to be of imported brick by the
bills which are still existing for the purchase and transportation of
the brick. A later form of many houses was two stories or two stories
and a half in front, with a peaked roof that sloped down nearly to the
ground in the back over an ell covering the kitchen, added in the shape
known as a lean-to, or, as it was called by country folk, the linter.
This sloping roof gave the one element of unconscious picturesqueness
which redeemed the prosaic ugliness of these bare-walled houses. Many
lean-to houses are still standing in New England. The Boardman Hill
House, built at North Saugus, Massachusetts, two centuries and a half
ago, and the two houses of lean-to form, the birthplaces of President
John Adams and of President John Quincy Adams, are typical examples.
The next roof-form, built from early colonial days, and popular a
century ago, was what was known as the gambrel roof. This resembled, on
two sides, the mansard roof of France in the seventeenth century, but
was also gabled at two ends. The gambrel roof had a certain grace of
outline, especially when joined with lean-tos and other additions. The
house partly built in 1636 in Dedham, Massachusetts, by my far-away
grandfather, and known as the Fairbanks House, is the oldest
gambrel-roofed house now standing. It is still occupied by one of his
descendants in the eighth generation. The rear view of it, here given,
shows the picturesqueness of roof outlines and the quaintness which
comes simply from variety. The front of the main building, with its
eight windows, all of different sizes and set at different heights,
shows equal diversity. Within, the boards in the wall-panelling vary
from two to twenty-five inches in width.
Public-domain text, read in full here on John Shaqi.
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