Your modern German _Backfisch_ may be a person of finish and wide
culture. You may find that she insists on her cold tub every morning,
and is scandalised by your offer of hot water in it. She has seen
Salome as a play and heard Salome as an opera. She has seen plays by
G.B.S. both in Berlin and London. She does not care to see Shakespeare
in London, because, as she tells you, the English know nothing about
him. Besides, he could not sound as well in English as in German. She
has read Carlyle, and is now reading Ruskin. She adores Byron, but
does not know Keats, Shelley, or Rossetti. Tennyson she waves
contemptuously away from her, not because she has read him, but
because she has been taught that his poetry is "bourgeois." Her
favourite novels are _Dorian Gray_ and _Misunderstood_. She dresses
with effect and in the height of fashion, she speaks French and
English fluently, she has travelled in Italy and Switzerland, she
plays tennis well, she can ride and swim and skate, and she would
cycle if it was not out of fashion. In fact, she can do anything, and
she knows everything, and she has been everywhere. Your French and
English girls are ignorant misses in comparison with her, and you say
to yourself as you watch her and humbly listen to her opinions,
delivered without hesitation and expressed without mistakes: "Where is
the German _Backfisch_ of yesteryear?"
"Did you ever read _Backfischchen's Leiden und Freuden_?" you say to
her; for the book is in its 55th edition, and you have seen German
girls devouring it only last week; German girls of a different type,
that is, from your present glittering companion.
"That old-fashioned inferior thing," she says contemptuously. "I
believe my mother had it. That is not literature."
Public-domain text, read in full here on John Shaqi.
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