After a cloth has been sewn, it is ironed. The iron is a deep metal
pan with a flat, smooth bottom and a long handle. Into it red-hot
charcoal is put and the pan is heated enough to blacken any paper that
it is laid on for a minute or less. It is then moved rapidly over the
cloth to be smoothed; sometimes when there is some danger of the cloth
being burnt, a piece of paper is put over it before ironing. For
ironing edges and corners, a small thick trowel with a long handle is
used. The end is put into a brazier under the charcoal, and when
it is hot, it is wiped and pressed over the part to be smoothed. The
degree of heat is judged by holding it close to the cheek; and the
beginner often burns her cheek by bringing it too close.
The housewife, therefore, who is an adept in needlework, has plenty of
work before her. The clothes and underwear for herself and her husband
and children require making and unmaking. Those for holiday wear
do not need remaking every season; but everyday clothes have to be
taken to pieces, washed, and remade, For the children she would want
two or three suits for each season, as the Japanese children have,
notwithstanding their proverbial gentleness and tractability, as great
a capacity for soiling and tearing their clothes as the little folks
of any other country; besides, Japanese clothes are more readily
soiled than European. The wife has also the bed-clothes to make.
These, when they are soiled, are taken to pieces, washed, and remade
with fresh layers of cotton wadding. Cushions for squatting upon are
also remade when they are soiled, which may be once in one or two
years. In the matter of sewing, then, woman’s work is never done in
Japan any more than elsewhere.
Public-domain text, read in full here on John Shaqi.
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