Entertainments of various kinds are given at the story-tellers’
halls. In some the story-tellers proper appear; half a dozen or more
come upon the platform in succession, winding up with the chief
story-teller of the evening. Those of the better grade tell serious
stories, complete at a sitting or continued through the whole run of
the company which is fifteen evenings, for they change twice a month.
Most of the others, however, tell short stories, humorous and ending
often in a word-play; their object is merely to raise a laugh among
their audience. There are also story-tellers of a different
kind, whose speciality is tales of war and stories of men famed in
Japanese history; but as they talk seriously and not in the light vein
of their more humorous _confrères_. they are not so popular as the
latter. It is not, however, always the story-teller who occupy
the platform. In the course of the evening there may be music and
singing by professionals or conjuring tricks. There are also several
halls opened exclusively for the singing of _gidayu_; and though for
their proper singing a deep, strong voice is really requisite, female
singers are far more numerous than male in Tokyo. In the capital it is
not as in Osaka, the home of _gidayu_-singing, for a young and pretty
girl-singer finds greater favour than a male singer of skill and
experience. In one evening half a dozen such singers perform, the last
being the head of the troupe.
[Illustration: A STORY-TELLER ON THE PLATFORM.]
In these halls some of the stories told are far from edifying; but
from others the lower classes become acquainted with the lives of the
noted men of their country. The proletariat in Japan are probably more
intimate with the history of their country than those of other lands.
Such history may not always be authentic; but of the famous names in
that history, warriors, statesmen, priests, and scholars, they hear
from the more serious entertainers at the halls; and the _gidayu_ has
also an educative influence, for it inculcates unceasingly the duty of
loyalty and filial piety and never tires of dwelling upon the
nobleness of self-sacrifice.
CHAPTER XXI.
FEASTS AND FESTIVITIES.
Festivities in the old days—The New Year’s Day—The
New Year’s dreams—January—February—The Feast of Dolls—The
Equinoctial day—Plum-blossoms—Cherry-blossoms—The flower
season—Peach-blossoms—Tree-peonies and wistarias—The Feast of
Flags—The Fête of the Yasukuni Shrine—Other fêtes—The Feasts of
Tanabata and Lanterns—The river season—Moon-viewing—The Seven Herbs
of Autumn—October—The Emperor’s Birthday—Chrysanthemums and
maple-leaves—The end of the year.
Public-domain text, read in full here on John Shaqi.
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