To this general insecurity from fire and burglary all wooden houses
are subject; but if we take into consideration the actual number of
homes which fall victims to them, we are compelled to conclude that
though the feeling of insecurity may always be present, the chances of
its being realised are somewhat remote, so that it is not so bad as it
looks in these respects to live in the wooden houses of Tokyo. Fires
are most frequent in winter from braziers being then in use and
kerosene lamps being in requisition for longer hours every evening,
and burglaries, too, increase in the same season from the sufferings
of the poor being intensified. But in the summer heat the Japanese
house is extremely pleasant. The whole house is open and lets the cool
breeze blow from end to end; bamboo screens are hung in front of the
verandah where it is exposed to the burning rays of the sun. On the
second story we sit in thin cotton garments and feel the breeze all
over the body, and look down upon the landscape garden before us
or beyond at the peerless Mount Fuji on the south-west or at Mount
Tsukuba on the northern edge of the Musashino plain. It is especially
enjoyable when fresh from a hot bath, we squat or loll on the mats,
fan in hand, and engage in desultory talk or in a quiet game until the
sun sinks and wine and fish are brought before us. The Japanese house
is an ideal summer villa when we can rest ourselves from the heat and
dust of the busy city. But in the city itself it is far otherwise. The
dust blows in with every gust, and the house, to be properly kept,
must be swept several times a day. The narrowness of the streets and
lowness of the ceilings give the shops in crowded quarters
insufficient light, though more than enough of dusty air. But in
winter we feel the inadequacy of wooden houses; it is next to
impossible to keep out the cold effectually; a room never gets
thoroughly warmed. The wind blows in through the crevices of the
sliding-doors, for the edges on which these doors meet are flat and
never dovetailed. The paper of the doors is porous, and through its
pores the air gets in; there is certainly this to be said for it that
in a Japanese room one need never fear asphyxiation, however much
charcoal may be burning in the braziers. These braziers are for
warming the hands and the face if one crouches over them; but for the
body, we get the warmth from the abundance of wadded clothing. We can
therefore keep fairly warm if we merely sit on the mats; but directly
we move or stand up, the cold attacks us. Most Japanese are, however,
used from childhood to these cold rooms and do not feel the chill.
Many of them think nothing of sitting for hours in a cold draught.
Public-domain text, read in full here on John Shaqi.
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