In Japan there was neither an architect nor a builder as a distinct
calling. Even now, ordinary dwelling-houses are not built by either of
them; it is the carpenter who has charge of their construction. The
carpenter’s is a dignified craft; he is called in Japanese the “great
artificer,” and stands at the head of all artisans. In the building of
a house, a master carpenter is called in; he prepares the plans,
and if they are approved, he sets to work with his apprentices and
journeymen. The other artisans, the tiler, the plasterer, and the
joiner, work under him. He is not as a rule an educated man and knows
his trade from having worked at it from apprenticeship; and for his
diligence or intelligence he has been set up by his master, or it may
be that he has found a wealthy patron, or more probably, he comes of
a carpenter’s family and has succeeded his father. Making use only
of the knowledge acquired during his term of apprenticeship or
service as journeyman, the master carpenter has little occasion to
display his inventiveness or originality, for he need only follow the
time-honoured conventions which hold sway in his craft as in all other
arts and crafts of the country. Hence, monotony is a distinctive mark
of Japanese domestic architecture; there is a sameness of style in all
our dwelling-houses. The chief and perhaps the only point upon which
the carpenter has to bring his ingenuity to bear is the arrangement of
the rooms. If he has a large site to build on, he will spread out the
building so as to secure as much southerly or south-easterly exposure
as possible without counteracting inconveniences; but if the site is
confined, he has to change his plans accordingly. Much depends upon
the lie of the land. His object is to have no rooms that are useless
or inconvenient. This is not such an easy task as may appear at first
sight in a house in which, with one or two exceptions, the rooms
may be turned into any use; for the very indefiniteness of their
disposal makes the problem more difficult to solve than in the case of
a house in which a definite use is assigned to each room at the time
of erection.
[Illustration: A GARDEN.]
Public-domain text, read in full here on John Shaqi.
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