Carlyle is one of the many great men who have suffered severely at the
hands of their biographers, and from the pen clan in general. When the
world knew him alone or chiefly through the lurid splendors of "The
French Revolution,"--that book which, as he himself would have expressed
it, was a truth, though a truth written in hell-fire,--or through the
uncanny labyrinths of "Sartor Resartus," or the subtle analysis of the
"Hero-Worship," or the more pleasing pages of his "Burns," or "Milton,"
or the "Characteristics," it would stand aloof in wonder, in admiration,
almost in awe. But when with his own hand--for he was primarily the
cause of all--he stripped away the privacy which he had guarded so
jealously through life, and through the "Reminiscences" and his wife's
letters, which he prepared for publication, took, as we may say, the
roof off from the house, that all the world might look in, then indeed
he fell from his lofty pedestal and became like one of us. Hero-worship
was no longer possible, but loud abuse and recrimination, or apology and
a cry for charitable construction, became the order of the day. We may
say that he had only himself to thank for it; but who can help
regretting that the man in his old age should so have destroyed the fair
fabric of his own fame? We are not so rich in heroes that we can afford
to lose even the least of the kingly band; and we have felt that we have
sustained an irreparable loss ever since the luckless day when we took
up the first of the intensely interesting but most painful books
relating to this great life.
Public-domain text, read in full here on John Shaqi.
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