Let us look a little at this hero's domestic life. What was its
foundation, what its outcome? That there was something wrong at the
foundation seems to be clear. And it was not so much the fact that
neither party married the first choice of the heart,--though it is true
that Jane Welsh loved with all the ardor of her nature Edward Irving
first, and that Carlyle undoubtedly would have married his first love,
the fair and amiable Margaret Gordon, the original of Blumine in "Sartor
Resartus," had not poverty prevented,--but rather was it their
unsuitability to each other. She was a lady, delicately reared, and with
a taste for society and the refinements of life; with a love for
admiration, too, and a wish to shine in her little sphere. He was a
peasant, coarsely bred, and scorning the amenities of life to which he
was unaccustomed,--scorning, too, the chivalric feeling with which
better bred men look upon women and treat their wives. He told her this,
bluntly and brutally, before marriage. They two were to be one, and he
that one. He had the peasant idea of being master, and to the end of his
days held fast to it. They were never, to his mind, equals, but he was
the chief and she the subject. This was what put her down
intellectually. In her youth she had literary tastes and ambitions, and
doubtless much ability; but after marriage we hear no more of that. Even
in the seven years at Craigenputtoch, when one would think that out of
sheer weariness and want of occupation she would have written or
studied, we hear nothing of any such attempts. Her married life seems to
have quenched all this utterly.
Then all the domestic drudgery, which to her seemed such a burden, and
appears to have afflicted her to the end of life, seemed to him to be
the natural and proper thing for a woman. He had all his life been
accustomed to see his mother and sisters at their tasks, naturally and
uncomplainingly, and he could never understand why all women should not
feel in the same way. Then he was fond of solitude, and looked upon a
visitor as an emissary of the devil; and he failed to see that a gay,
pleasure-loving, volatile, sparkling girl could not share his feelings.
So he shut her up remorselessly,--never dreaming that he was cruel. That
she was fond of admiration was nothing to him, though he was fond of it
himself in his own grim way; _he_ was the central figure of this
household, and if she was deprived of a natural enjoyment it seemed a
trifle to him. In short, their whole philosophy of life was different,
their characters unsuited to each other, and their tempers of the order
described as "difficult." It is not necessary to blame one or the other
entirely for what followed. He saw everything in one light, she in
another; what but disappointment and unrest could ensue?
Public-domain text, read in full here on John Shaqi.
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