Gibb Ogle, the other member of our leisure class, is a very different kind of a bird. His art is more sublime than DeLancey's because he has no one to support him. He has worked down to his present state from nothing at all. He is a self-unmade man. With no resources, not even a loving wife with a wash tub, he lives a life of perfect ease and idleness. He doesn't even have to hunt for means of killing time, as DeLancey does. Time with him dies a natural death. He is not implicated in the sad event in any way. All he does is to watch its demise. He watches whole hours pass away while leaning against the door-frame of the Delmonico Hotel. Chet Frazier and Sim Bone got into an argument one day, and to settle it they went over and took Gibb away from the building. It didn't fall, and Sim won. Gibb has watched several thousand hours expire while propping up the Q. B. & C. depot. He is the chief spectator at every fire, runaway, dog fight and public event. He is a movable landmark, as permanent as the Republican flagpole in the city park. I have never yet gone down-town in the morning without seeing Gibb on the street. And very seldom have I gone home at night, even in the howling blizzards of winter, without passing Gibb leaning against the warm bright show window of the last open place of business, and waiting with placid greediness for one final event of some kind to transpire before going to his well-earned repose. Beside Gibb's leisure, DeLancey's is poor amateurish stuff. Gibb's total income during the year would hardly exceed twenty-five dollars, and it doesn't do him much good at that. When he gets any money, he eats it up in the most determined and hasty fashion. I have seen him eat a dollar's worth of ham sandwiches in an afternoon--because he had the dollar. What he does between dollars is a town mystery. He doesn't beg. He is believed by some to absorb sustenance from the air, like a plant. But I happen to know that he absorbs a good deal of sustenance from the Delmonico Hotel. He has attached himself to this hotel as a sort of retainer, and through all its changes of ownership he has hung on. He will not work, but he gives the place his moral support and speaks highly of it to all comers. He will even carry a satchel across to the depot, but only as an accommodation to the hotel. In return he asks nothing and thus saves his proud spirit from the insult of a refusal. But I think he has first pick of the scattered remains of the dinners that leave the kitchen door whenever the cook is good-natured.