Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer; Homer -- Homes and haunts -- Greece
We may prove anything if we argue, now that the poets retain the
tradition of obsolete things, now that they modernise as much as they
please. Into this method of reasoning, after duly considering it, I
am unable to come with enthusiasm, being wedded to the belief that the
poets say what they mean. Were it otherwise, did they not mean what
they say, their evidence would be of no value; they might be dealing
throughout in terms for things which were unrepresented in their own
age. To prove this possible, it would be necessary to adduce convincing
and sufficient examples of early national poets who habitually use
the terminology of an age long prior to their own in descriptions of
objects, customs, and usages. Meanwhile, it is obvious that my whole
argument has no archaeological support. We may find "Mycenaean" corslets
and greaves, but they are not in cremation burials. No Homeric cairn
with Homeric contents has ever been discovered; and if we did find
examples of Homeric cairns, it appears, from the poems, that they would
very seldom contain the arms of the dead.
Nowhere, again, do we find graves containing bronze swords and iron axes
and adzes. I know nothing nearer in discoveries to my supposed age
of bronze weapons and iron tools than a grave of the early iron and
geometrical ornament age of Crete--a _tholos_ tomb, with a bronze
spear-head and a set of iron tools, among others a double axe and a
pick of iron. But these were in company with iron swords? To myself the
crowning mystery is, what has become of the Homeric tumuli with their
contents? One can but say that only within the last thirty years have we
found, or, finding, have recognised Mycenaean burial records. As to the
badness of the iron of the North for military purposes, and the probable
badness of all early iron weapons, we have testimony two thousand years
later than Homer and some twelve hundred years later than Polybius.
In the Eyrbyggja Saga (Morris and Maguusson, chap, xxiv.) we read that
Steinthor "was girt with a sword that was cunningly wrought; the hilts
were white with silver, and the grip wrapped round with the same, but
the strings thereof were gilded." This was a splendid sword, described
with the Homeric delight in such things; but the battle-cry arises, and
then "the fair-wrought sword bit not when it smote armour, and Steinthor
must _straighten it under_ his _foot._" Messrs. Morris and Maguusson add
in a note: "This is a very common experience in Scandinavian weapons,
and for the first time heard of at the battle of Aquae Sextiae between
Marius and the Teutons." [Footnote: The reference is erroneous.] "In the
North weapon-smiths who knew how to forge tempered or steel-laminated
weapons were, if not unknown, at least very rare." When such skill was
unknown or rare in Homer's time, nothing was more natural than that
bronze should hold its own, as the metal for swords and spears, after
iron was commonly used for axes and ploughshares.
CHAPTER X
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