Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer; Homer -- Homes and haunts -- Greece
(3) The next point of difference is that, "we hear no more of Iris as
the messenger of Zeus;" in the Odyssey, "the agent of the will of Zeus
is now Hermes, as in the Twenty-fourth Book of the _Iliad_," a late
"Odyssean" Book. But what does that matter, seeing that _ILIAD_, Book
VIII, is declared to be one of the latest additions; yet in Book VIII.
Iris, not Hermes, is the messenger (VIII. 409-425). If in late times
Hermes, not Iris, is the messenger, why, in a very "late" Book (VIII.)
is Iris the messenger, not Hermes? _Iliad_, Book XXIII., is also a late
"Odyssean" Book, but here Iris goes on her messages (XXIII. 199) moved
merely by the prayers of Achilles. In the late Odyssean Book (XXIV.)
of the _Iliad_, Iris runs on messages from Zeus both to Priam and to
Achilles. If Iris, in "Odyssean" times, had resigned office and been
succeeded by Hermes, why did Achilles pray, not to Hermes, but to Iris?
There is nothing in the argument about Hermes and Iris. There is nothing
in the facts but the variability of mythical and poetical conceptions.
Moreover, the conception of Iris as the messenger certainly existed
through the age of the Odyssey, and later. In the Odyssey the beggar
man is called "Irus," a male Iris, because he carries messages; and Iris
does her usual duty as messenger in the Homeric Hymns, as well as in the
so-called late Odyssean Books of the _Iliad_. The poet of the Odyssey
knew all about Iris; there had arisen no change of belief; he merely
employed Hermes as messenger, not of the one god, but of the divine
Assembly.
(4) Another difference is that in the _Iliad_ the wife of Hephaestus is
one of the Graces; in the Odyssey she is Aphrodite. [Footnote: Monro,
_Odyssey_, vol. ii. p. 336.] This is one of the inconsistencies which
are the essence of mythology. Mr. Leaf points out that when Hephaestus
is about exercising his craft, in making arms for Achilles, Charis "is
made wife of Hephaestus by a more transparent allegory than we find
elsewhere in Homer," whereas, when Aphrodite appears in a comic song
by Demodocus (Odyssey, VIII. 266-366), "that passage is later and
un-Homeric." [Footnote: Leaf, _Iliad_, vol. ii. p. 246.]
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