Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer; Homer -- Homes and haunts -- Greece
Human nature eternally repeats itself in similar conditions of society,
French, Norse, Celtic, and Achaean. "We never hear anything bad" of
Diomede, Odysseus, or Aias, and the evil in Achilles's resentment up to
a certain point is legal, and not beyond what the poet thinks natural
and pardonable in his circumstances.
The poet's view of Agamemnon is expressed in the speeches and conduct
of the peers. In Book I. we see the bullying truculence of Agamemnon,
wreaked first on the priest of Apollo, Chryses, then in threats against
the prophet Chalcas, then in menaces against any prince on whom he
chooses to avenge his loss of fair Chryseis, and, finally, in the
Seizure of Briseis from Achilles.
This part of the First Book of the _Iliad_ is confessedly original, and
there is no varying, throughout the Epic, from the strong and delicate
drawing of an historical situation, and of a complex character.
Agamemnon is truculent, and eager to assert his authority, but he is
also possessed of a heavy sense of his responsibilities, which often
unmans him. He has a legal right to a separate "prize of honour" (geras)
after each capture of spoil. Considering the wrath of Apollo for the
wrong done in refusing his priest's offered ransom for his daughter,
Agamemnon will give her back, "if that is better; rather would I see my
folks whole than perishing." [Footnote: _Iliad_, I. 115-117.]
Here we note points of feudal law and of kingly character. The giving
and taking of ransom exists as it did in the Middle Ages; ransom is
refused, death is dealt, as the war becomes more fierce towards its
close. Agamemnon has sense enough to waive his right to the girlish
prize, for the sake of his people, but is not so generous as to demand
no compensation. But there are no fresh spoils to apportion, and the
Over-Lord threatens to take the prize of one of his peers, even of
Achilles.
Thereon Achilles does what was frequently done in the feudal age of
western Europe, he "renounces his fealty," and will return to Phthia. He
adds insult, "thou dog-face!" The whole situation, we shall show, recurs
again and again in the epics of feudal France, the later epics of feudal
discontent. Agamemnon replies that Achilles may do as he pleases. "I
have others by my side that shall do me honour, and, above all, Zeus,
Lord of Counsel" (I. 175). He rules, literally, by divine right, and we
shall see that, in the French feudal epics, as in Homer, this claim of
divine right is granted, even in the case of an insolent and cowardly
Over-Lord. Achilles half draws "his great sword," one of the long,
ponderous cut-and-thrust bronze swords of which we have actual examples
from Mycenae and elsewhere. He is restrained by Athene, visible only to
him. "With words, indeed," she says, "revile him .... hereafter shall
goodly gifts come to thee, yea, in threefold measure...."
Public-domain text, read in full here on John Shaqi.
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