Homer's Odyssey: A CommentarySnider, Denton Jaques
Philosophy
Homer's Odyssey: A Commentary
Snider, Denton Jaques
Epic poetry, Greek -- History and criticism; Homer. Odyssey; Odysseus, King of Ithaca (Mythological character) -- In literature
Here the first part of the Book concludes. The three sets of speakers
have given their views, one on each side; each set has represented a
certain phase of the question; thus we have heard the institutional,
religious and personal phases. In such manner the sweep of the conduct
of the Suitors is fully brought out; they are destroying State and
Family, are defying the Gods, and are ready to slay the individual who
may stand in their way. Certainly their harvest is ripe for the sickle
of divine justice, upon whose deep foundation this poem reposes.
The Assembly of the People now vanishes quite out of sight, it has
indeed no valid ground of being. The young men seem to be the chief
speakers, and show violent opposition, while the old men hold back, or
manifest open sympathy with the House of Ulysses. The youth of Ithaca
have had their heads turned by the brilliant prize, and rush forward
forgetful of the penalty. It is indeed a time of moral loosening, of
which this poem gives the source, progress, and cure. Telemachus,
however, rises out of the mass of young men, the future hero who is to
assert the law of the Gods. In such manner we are to reach down to the
fact that the spirit of the Odyssey is ethical in the deepest sense,
and reveals unto men the divine order of the world.
II.
We now pass to the second part of the book, which shows Telemachus
accomplishing with the aid of the deity what human institutions failed
to do. If the Assembly will not help him in the great cause, the Gods
will, and now he makes his appeal to them.
The Ithacans had refused a ship in order that he might go and learn
something about his father; that is, they will not permit his
education, which is at present the first object.
He goes down to the seacoast, where he will be alone, communing with
the Goddess and with himself, and there he prays to Pallas, washing his
hands in the grey surf--which is, we may well think, a symbolic act of
purification. Is it a wonder that Pallas, taking the human shape of
Mentor, comes and speaks to him? She must, if she be at all; he is
ready, and she has to appear. Her first words are but the echo of his
conduct all through the preceding scene with the Assembly: "Telemachus
henceforth thou shalt be wanting neither in valor nor in wisdom." She
rouses him by the fame and deeds of his father, because he is already
aroused. Still she is a very necessary part; she is the divine element
in the world speaking to Telemachus and helping him; she shows that his
thought is not merely subjective, but is now one with hers, with
objective wisdom, and will rule the fact. He ascends into the realm of
true vision, and from thence organizes his purpose. It is true that the
poet represents Pallas as ordering the means for the voyage, as at
first she ordered the work of the whole poem. Yet this is also done by
Telemachus who has risen to participation in that glance which beholds
the truth and controls the world.
Public-domain text, read in full here on John Shaqi.
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