Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)Howitt, William
General
Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
At the instance of the Duchess of Rutland,--Thurlow having exchanged
the poet's Dorsetshire livings for those of Muston, in Leicestershire,
and Allington, in Lincolnshire, but near each other,--Mr. Crabbe, in
1789, left Stathern, and entered on his rectory at Muston. Here his
life continued much the same, but the country around was open and
uninteresting. "Here," says his son, "were no groves, nor dry green
lawns, nor gravel roads, to tempt the pedestrian in all weathers; but
still, the parsonage and its premises formed a pretty little oasis in
the clayey desert. Our front windows looked full on the church-yard,
by no means like the common forbidding receptacles of the dead, but
truly ornamental ground; for some fine elms partially concealed the
small beautiful church and its spire, while the eye traveled through
their stems, and rested on the banks of a stream, and a picturesque
old bridge. The garden inclosed the other two sides of the
church-yard; but the crown of the whole was a gothic archway, cut
through a thick hedge and many boughs; for through this opening, as in
the deep frame of a picture, appeared, in the center of the aerial
canvas, the unrivaled Belvoir."
The home picture of Crabbe, at this period, is given by his son, with
a glow of grateful remembrance of the happiness of the time to
himself, then a child, that is beautiful. "Always visibly happy in the
happiness of others, especially of children, our father entered into
all our pleasures, and soothed and cheered us in all our little
griefs, with such overflowing tenderness, that it was no wonder we
almost worshiped him. My first recollection of him is, of his carrying
me up to his private room to prayers, in the summer evenings, about
sunset, and rewarding my silence and attention, afterward, with a view
of the flower-garden through his prism. Then I recall the delight it
was to me to be permitted to sleep with him during a confinement of my
mother's--how I longed for the morning; because then he would be sure
to tell me some fairy tale of his own invention, all sparkling with
gold and diamonds, magic fountains, and enchanted princesses. In the
eye of memory I can still see him as he was at this period of his
life; his fatherly countenance, unmixed with any of the less lovable
expressions that, in too many faces, obscure that character--but
preëminently _fatherly_; conveying the ideas of kindness, intellect,
and purity; his manners grave, manly, and cheerful, in unison with his
high and open forehead; his very attitudes, whether he sat absorbed in
the arrangement of his minerals, shells, and insects, or as he labored
in his garden, until his naturally pale complexion acquired a tinge of
fresh, healthy red, or as coming lightly toward us with some
unexpected present, his smile of indescribable benevolence spoke
exultation in the foretaste of our raptures.
Public-domain text, read in full here on John Shaqi.
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