Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)Howitt, William
General
Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
productions of Wordsworth, Southey, and Coleridge. Joseph Cottle, the
author of Alfred, an epic poem, whom Byron so mercilessly handled,
grafting upon him the name of his brother Amos, for the sake of more
ludicrous effect--Joseph Cottle was a bookseller here, and became the
patron of those three young, aspiring, but far from wealthy young men.
Coleridge had made the acquaintance of a Mr. Thomas Poole, of Nether
Stowey, a gentleman of some property, and a magistrate. Mr. Poole was
a friend of the two great brother potters, Josiah and Thomas
Wedgewood, of Staffordshire; he introduced Coleridge to them, and
eventually they settled on him an annuity of £150 a-year. Poole
invited Coleridge to come down to Stowey to see him, and after his
marriage prevailed on him to go and live in Stowey. The Wedgewoods
were accustomed also to visit Mr. Poole; and the same causes drew
Wordsworth and Southey occasionally down there. Thus Bristol ceased to
be the general rendezvous of this new literary coterie, and the
solitudes of Somersetshire received them. People have often wondered
what induced this poetical brotherhood to select a scene so far out of
the usual haunts of literary men, so inferior to Wordsworth's own
neighborhood, as Stowey and its vicinity. These are the circumstances.
It was Mr. Poole and cheapness which had a deal to do with it. Poole
drew Coleridge, Coleridge and the dreams of Pantisocracy drew most of
the others. Wordsworth, I believe, never speculated on the exclusive
happiness of following the plough on the banks of the Susquehannah;
but the whole of the corps had made the discovery that true poetry was
based on nature, and that it was to be found only by looking into
their own minds, and into the world of nature around them. They
therefore sought, not cities, but solitude, where they could at once
read, reflect, and store up that treasury of imagery, full of beauty
and truth, which should be reproduced, woven into the living tissue of
their own thought and passion, as poetry of a new, startling, and high
order. To this life of country seclusion Wordsworth and Southey
adhered, from choice, all their after-lives.
Public-domain text, read in full here on John Shaqi.
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