Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)Howitt, William
General
Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
Wordsworth first resided at Racedown in Dorsetshire, where Coleridge
visited him. When Coleridge went to settle at Stowey, Wordsworth also
removed to Allfoxden, about five miles farther down, near the Bristol
Channel. Here his secluded habits gave rise to some ludicrous
circumstances, annoying enough, however, to drive him out of the
neighborhood. He was deep in the composition of poetry. He had a
Tragedy on the anvil, a poem called Salisbury Plain, never yet
published, and Peter Bell, beside his Lyrical Ballads, which last
Cottle brought out while he was here. He sought the deepest solitude,
and here, if anywhere, he could find it. Allfoxden house is situated
at the very extremity of the Quantock hills, and within about a mile
and a quarter of the Bristol Channel. As you advance from Stowey, the
Quantock hills run along at some little distance on your left hand.
They are of the character of downs, open and moorland on the top, and
with great masses of wood here and there on their slopes. The country
on your right is level, rich, and well wooded. On arriving near
Allfoxden, you turn abruptly to the left, and winding about through a
woody lane, and passing through a little hamlet, you begin to feel as
if you were going quite out of the world of mankind. You are at the
foot of the hills, and a thick wood terminates your way. But through
this wood you have to pass to find the house where Wordsworth had
hidden himself. Passing into this wood at a gate, you find yourself in
a most Druidical gloom. The wood is of well grown, tall, and thickly
growing oak; filled still closer with hollies, which were once
underwood, but which have shot up, and emulated the very oaks
themselves in altitude. They are unquestionably among the loftiest
hollies in England. Altogether the mass of wood is dense, the scene is
shadowy, the ground is strewn with its brown carpet of fallen leaves.
As you advance, on your right hand you catch a sound of water, and
pursuing it you find it issues from the bottom of a deep narrow glen
or dean, which no doubt gives the name to the place--All fox den, or
glen of all the foxes. This glen is a very poetical feature of the
place, and especially attractive to a man in Wordsworth's then turn
of mind, which led him to the deepest seclusion for the sake of
abstraction. Tall trees soar up from its sides, and meet above; some
of them have fallen across, dashed down by the wind. Wild plants grow
luxuriantly below; woodbines and other creepers climb and cling from
bough to bough; and the pure and crystal water hurries along over its
gravelly bed, beneath this mass of shade and overhanging banks, with a
merry music to the neighboring sea.
Public-domain text, read in full here on John Shaqi.
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