Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)Howitt, William
General
Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
His parsonage was a good, capacious old house, of gray stone, and
pointed gables, standing in a large garden surrounded by a high wall.
It lies almost in the heart of the town, and within a hundred yards of
the church-yard. In his time, I understand, the garden was almost a
wood of lofty trees. Many of these have since been cut down. Still it
is a pleasant and spacious retirement, with some fine trees about it.
The church is a very old building, and threatening to tumble. At the
time of my visit workmen were busy lowering the tower, and the
northern aisle showed no equivocal marks of giving way, and must come
down. The church-yard was also undergoing the process of leveling; the
turf was removed, and it altogether looked dismal. A very civil and
intelligent sexton, living by the church-yard gate, in a cottage
overhung with ivy, showed me the church, and appeared much interested
in the departed pastor and poet. I ascended into the pulpit, and
imagined how often the author of The Borough had stood there and
addressed his congregation. There is a monument to his memory in the
chancel, by Baillie. The old man is represented as lying on his
death-bed, by which are two celestial beings, as awaiting his
departure. The likeness to Crabbe is said to be excellent. The
inscription is as follows: "Sacred to the memory of the Rev. George
Crabbe, LL.B., who died February the third, 1832, in the
seventy-eighth year of his age, and the nineteenth of his services as
rector of this parish. Born in humble life, he made himself what he
was. By the force of his genius he broke through the obscurity of his
birth; yet never ceased to feel for the less fortunate. Entering, as
his works can testify, into the sorrows and privations of the poorest
of his parishioners; and so discharging the duties of his station, as
a minister and a magistrate, as to acquire the respect and esteem of
all his neighbors. As a writer he is well described by a great
cotemporary, as 'Nature's sternest painter, yet her best.'"
In the north aisle is also a tablet to the memory of the wife of his
son George, who it appears died two years after Crabbe himself, and in
the very year, 1834, in which her husband published his excellent and
most interesting life of his father.
Public-domain text, read in full here on John Shaqi.
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