Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)Howitt, William
General
Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
Of his cotemporary authors Hogg speaks in his life with the highest
honor. He confesses that he used most unmeasured language toward both
Sir Walter Scott and John Wilson, when they offended him, but records
their refusal to be offended with him, and their cordial kindness. Of
Southey, Lockhart, Sym, the Timothy Tickler of Blackwood, Galt, etc.,
his reminiscences are full of life and interest. Of Wordsworth's
poetry he entertained the high notion that a true poet must do; but
there occurred a scene at Rydal which James gives in explanation of
his caricaturing Wordsworth, which, as it is his own account, is worth
transcribing.
"I dined with Wordsworth, and called on himself several times
afterward, and certainly never met with any thing but the most genuine
kindness; therefore people have wondered why I should have indulged in
caricaturing his style in the Poetic Mirror. I have often regretted
that myself; but it was merely a piece of ill-nature at an affront
which I conceived had been put upon me. It was the triumphal arch
scene. This anecdote has been told and told again, but never truly;
and was likewise brought forward in the Noctes Ambrosianæ, as a joke;
but it was no joke: and the plain, simple truth of the matter was
this:--
"It chanced one night, when I was there, that there was a resplendent
arch across the zenith, from the one horizon to the other, of
something like the Aurora Borealis, but much lighter. It was a scene
that is well remembered, for it struck the country with admiration, as
such a phenomenon had never before been witnessed in such perfection;
and, as far as I can learn, it had been more brilliant over the
mountains and pure waters of Westmoreland than anywhere else. Well,
when word came into the room of the splendid meteor, we all went out
to view it; and on the beautiful platform of Mount Rydal, we were
walking in twos and threes, arm-in-arm, talking of the phenomenon,
and admiring it. Now, be it remembered, that there were present,
Wordsworth, Professor Wilson, Lloyd, De Quincy, and myself, beside
several other literary gentlemen, whose names I am not certain that I
remember aright. Miss Wordsworth's arm was in mine, and she was
expressing some fears that the splendid stranger might prove ominous,
when I, by ill luck, blundered out the following remark, thinking that
I was saying a good thing:--'Hout, me'em! it is neither mair nor less
than joost a triumphal airch, raised in honor of the meeting of the
poets.'
"'That's not amiss. Eh? eh?--that's very good,' said the professor,
laughing. But Wordsworth, who had De Quincy's arm, gave a grunt and
turned on his heel, and, leading the little opium-chewer aside, he
addressed him in these disdainful and venomous words: 'Poets? Poets?
What does the fellow mean?--Where are they?'
Public-domain text, read in full here on John Shaqi.
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