Church history -- 4th century -- Fiction; German fiction -- Translations into English
Now at this hour of the night, he wore only a shirt of white woollen
stuff, with a deep red border. His locks, usually so well-kept, seemed
to stand out from his head separately, and instead of smoothing and
confining them, he added to their wild disorder, for, as be worked, he
frequently passed his hand through them with a hasty movement. A bat,
attracted by the bright light, flew in at the open window--which was
screened only at the bottom by a dark curtain--and fluttered round the
ceiling; but he did not observe it, for his work absorbed his whole soul
and mind. In this eager and passionate occupation, in which every nerve
and vein in his being seemed to bear a part, no cry for help would have
struck his ear--even a flame breaking out close to him would not have
caught his eye. His cheeks glowed, a fine dew of glistening sweat
covered his brow, and his very gaze seemed to become more and more firmly
riveted to the sculpture as it took form under his hand. Now and again
he stepped back from it, and leaned backwards from his hips, raising his
hands to the level of his temples, as if to narrow the field of vision;
then he went up to the model, and clutched the plastic mass of clay, as
though it were the flesh of his enemy.
He was now at work on the flowing hair of the figure before him, which
had already taken the outline of a female head, and he flung the bits of
clay, which he removed from the back of it, to the ground, as violently
as though he were casting them at an antagonist at his feet. Again his
finger-tips and modelling-tool were busy with the mouth, nose, cheeks,
and eyes, and his own eyes took a softer expression, which gradually grew
to be a gaze of ecstatic delight, as the features he was moulding began
to agree more and more with the image, which at this time excluded every
other from his imagination.
Public-domain text, read in full here on John Shaqi.
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