Such changes are in the nature of things. The mountains sink in the
course of ages, and the depths of the seas, on the contrary, rise until
their shells and corals are carried to the regions of clouds and ice.
Nothing endures. The face of land and sea is for ever changing.
Tradition alone preserves the memory of men and places across the ages
and renders real to us what has long ceased to exist. In telling you of
Clarides I wish to take you back to times that have long since vanished.
Thus I begin:
The Countess of Blanchelande having placed on her golden hair a little
black hood embroidered with pearls....
But before proceeding I must beg very serious persons not to read this.
It is not written for them. It is not written for grave people who
despise trifles and who always require to be instructed. I only venture
to offer this to those who like to be entertained, and whose minds are
both young and gay. Only those who are amused by innocent pleasures will
read this to the end. Of these I beg, should they have little children,
that they will tell them about my Honey-Bee. I wish this story to please
both boys and girls and yet I hardly dare to hope it will. It is
too frivolous for them and, really, only suitable for old-fashioned
children. I have a pretty little neighbour of nine whose library I
examined the other day. I found many books on the microscope and the
zoophytes, as well as several scientific story-books. One of these I
opened at the following lines: “The cuttle-fish _Sepia Officinalis_ is
a cephalopodic mollusc whose body includes a spongy organ containing a
chylaqueous fluid saturated with carbonate of lime.” My pretty little
neighbour finds this story very interesting. I beg of her, unless she
wishes me to die of mortification, never to read the story of Honey-Bee.
II
In which we learn what the white rose meant to the Countess
of Blanchelande
Having placed on her golden hair a little black hood embroidered with
pearls and bound about her waist a widow’s girdle, the Countess of
Blanchelande entered the chapel where it was her daily custom to pray
for the soul of her husband who had been killed in single-handed combat
with a giant from Ireland.
That day she saw a white rose lying on the cushion of her _prie-Dieu_;
at sight of this she turned pale; her eyes grew dim; she bowed her head
and wrung her hand. For she knew that when a Countess of Blanchelande is
about to die she always finds a white rose on her _prie-Dieu_.
Warned by this that her time had come to leave a world in which in
so short a time she had been wife, mother and widow, she entered the
chamber where her son George slept in the care of the nurses. He was
three years old. His long eyelashes threw a lovely shadow on his cheeks,
and his mouth looked like a flower. At sight of him, so helpless and so
beautiful, she began to weep.
Public-domain text, read in full here on John Shaqi.
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