“Child!” she said, and she commanded that he be cast into a dungeon
which formed a kind of crystal tunnel under her palace, and about which
sharks roamed with wide-stretched monstrous jaws armed with triple rows
of pointed teeth. At every touch it seemed as if they must crush the
frail glass wall, which made it impossible to sleep in this strange
prison.
The extremity of this under-sea tunnel rested on a bed of rock which
formed the vaulting of the most distant and unexplored cavern in the
empire of the dwarfs.
And this is what the two little men saw in a single hour and quite as
accurately as if they had followed George all the days of his life.
The venerable Nur, having described the dungeon scene in all its tragic
gloom, addressed the King in much the same way as the Savoyards speak to
the little children when they show their magic lanterns.
“King Loc,” he said, “I have shown you all you wished to see, and now
that you know all I can add nothing more. It’s nothing to me whether
you liked what you saw; it is enough to know that what you saw was the
truth. Science neither cares to please nor to displease. She is inhuman.
It is not science but poetry that charms and consoles. And that is why
poetry is more necessary than science. Go, King Loc, and get them to
sing you a song.”
And without uttering a word King Loc left the well.
XVIII
In which King Loc undertakes a terrible journey
Having left the well of wisdom, King Loc went to his treasure house and
out of a casket, of which he alone had the key, he took a ring which
he placed on his finger. The stone set in the ring emitted a brilliant
light, for it was a magic stone of whose power we shall learn more
further on. Thereupon King Loc went to his palace, put on a travelling
cloak and thick boots and took a stick; then he started on a journey
across crowded streets, great highways, villages, galleries of porphyry,
torrents of rock-oil, and crystal grottoes, all of which communicated
with each other through narrow openings.
Public-domain text, read in full here on John Shaqi.
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