Produced by Charles Bowen, from page scans provided by the Web Archive Transcriber's Note: 1. Page scan source: http://www.archive.org/details/honoraplayinfou01baukgoog HONOR A Play in Four Acts BY HERMANN SUDERMANN Translated By HILMAR R. BAUKHAGE With a Preface By BARRETT H. CLARK * * * Copyright, 1915, BY SAMUEL FRENCH * * * New York | London SAMUEL FRENCH | SAMUEL FRENCH, Ltd. PUBLISHER | 26 Southampton Street 28-30 WEST 38th STREET | STRAND HONOR The French expression, a "man of the theater," is best exemplified in the person of the German dramatist Hermann Sudermann. The term is intended to convey the idea of a playwright who is interesting and effective, one who is, in short, master of his trade. The author of "Die Ehre," which is here presented for the first time to English readers, was for many years a man of the theater in the strictest acceptance of the term. Hermann Sudermann was born at Matziken, Prussia, in 1857. After receiving his preliminary scholastic training in his native province, he attended the Universities of Konigsberg and Berlin and immediately after his graduation from the latter institution entered the field of journalism. His first works were short stories and novels, of which "Dame Care," "Regina," and "The Song of Songs" are the best known. German critics and the German reading public are inclined, of late years, in view of Sudermann's repeated failures in the field of drama, to place his fiction on a distinctly higher plane than his plays, and it is true that much of the finer intelligence of the man has gone to the making of his better novels. However, the earlier plays exerted an influence so widespread and are of such unquestioned intrinsic value, that there is some question as to the ultimate disposition of the laurels. "Honor" was published in book form in 1888, the year before the founding of the famous "Freie Buhne," or "Free Theater," which was to usher in and nourish modern German Realism. It was first produced in 1890.