Balzac, Honoré de, 1799-1850; Novelists, French -- 19th century -- Biography
But meanwhile, how about his work? It is not known by what prodigy
Balzac kept at his task, in spite of this busy life of fashion and
frivolity. He published The Purse, Mme. Firmiani, A Study of a Woman,
The Message, La Grenadiere, The Forsaken Woman, Colonel Chabert (which
appeared in L'Artiste under the title of Transaction), The Vicar of
Tours, and he composed that mystical work which cost him so much pains
that he almost succumbed to it, the Biographical Notice of Louis
Lambert. At the same time he corrected, improved and partly rewrote The
Chouans and the newly published Magic Skin, with a view to new
editions, in accordance with the criticisms of his sister Laure and
Mme. de Berny.
Nevertheless, money continued to evaporate under his prodigal fingers;
he had counted upon revenues which failed to materialise, he could no
longer borrow, for his credit was exhausted, and he found himself
reduced to a keener poverty than that of his mansarde garret. After all
this accumulation of work, all this expenditure of genius, to think
that he did not yet have an assured living! He had frightful attacks of
depression, but they had no sooner passed than his will power was as
strong as ever, his fever for work redoubled, and his visionary gaze
discerned the fair horizons of hope as vividly as though they were
already within reach of his hand. Then he would shut himself into his
room, breaking off all ties with the social world, or else would flee
into the provinces, far from the dizzy whirl of Paris.
Thus it happened that he made several sojourns at Sache in 1831, and
that he set out for it once again in 1832, determined upon a lengthy
absence. Mme. de Castries had left Paris and had asked him to join her
at the waters of Aix in September; but, before he could permit himself
to take this trip, he must needs have the sort of asylum for work that
awaited him in Touraine.
M. de Margonne, his host, welcomed him like a son each time that he
arrived. He had entire liberty to live at the chateau precisely as he
chose. He was not required to be present at meals, nor to conform to
any of the social conventions which might have interfered with the most
profitable employment of his time. If, in the absorption of working out
the scheme of the task which he had in progress, he was sometimes
irritable and sullen, no one took offence at his attitude. When he had
not yet reached the stage of the actual writing, and was merely
composing his drama within his powerful imagination, he arose early in
the morning and set off upon long walks across country, sometimes
solitary and silent, sometimes getting into conversation with the
people he met and asking them all sorts of questions. He had no other
source of amusement, for he did not care for hunting, and, as to
fishing, he made no success of it, for he forgot to pull in the fish
after they had taken the hook!
Public-domain text, read in full here on John Shaqi.
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