Honore de Balzac, His Life and WritingsSandars, Mary Frances
General
Honore de Balzac, His Life and Writings
Sandars, Mary Frances
Balzac, Honoré de, 1799-1850; Novelists, French -- 19th century -- Biography
In the same book are several interesting remarks about Armand de
Montriveau, the lover of the Duchesse de Langeais, who is, in many
points, Balzac under another name. On one page we read: "He seemed to
have reached some crisis in his life, but all took place within his
own breast, and he confided nothing to the world without." In another
place is a description of Montriveau's appearance. "His head, which
was large and square, had the characteristic trait of an abundant mass
of black hair, which surrounded his face in a way that recalled
General Kleber, whom indeed he also resembled in the vigour of his
bearing, the shape of his face, the tranquil courage of his eye, and
the expression of inward ardour which shone out through his strong
features. He was of medium height, broad in the chest, and muscular as
a lion. When he walked, his carriage, his step, his least gesture,
bespoke a consciousness of power which was imposing; there was
something even despotic about it. He seemed aware that nothing could
oppose his will; possibly because he willed only that which was right.
Nevertheless, he was, like all really strong men, gentle in speech,
simple in manner, and naturally kind." Certainly Balzac, as usual, did
not err on the side of modesty!
Curiously enough, the very day--February 28th, 1832--on which Balzac
wrote to accept the offer of the Marquise de Castries' friendship, was
the day that the first letter from L'Etrangere reached him. At first
sight there was nothing to distinguish this most momentous letter from
others which came to him by almost every post, or to indicate that it
was destined to change the whole current of his life. It was sent by
an unknown woman, and the object of the writer was, while expressing
intense admiration for Balzac's work, to criticise the view of the
feminine sex taken by him in "La Peau de Chagrin." His correspondent
begged him to renounce ironical portrayals of woman, which denied the
pure and noble role destined for her by Heaven, and to return to the
lofty ideal of the sex depicted in "Scenes de la Vie Privee."
Public-domain text, read in full here on John Shaqi.
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