Short stories; United States -- Social life and customs -- 19th century -- Fiction
As the horrible degradation to which she was exposed flashed upon Lina,
the last remnant of her self-control gave way, and, hanging back with
all her might against his hand, she burst into sobs.
“Oh, don't, don't! It will kill me. I'll tell you my name. It's Lina
Maynard. My father is a rich merchant in New York, Broadway, No. 743. He
will give you anything, if you let me go. Anything you want. Oh, please
don't! Oh, don't! I could n't! I could n't!”
In this terror-stricken, wild-eyed girl, her face streaming with tears,
and every lineament convulsed with abject dread, there was little enough
to remind Arthur Steele of the queenly maiden who had favored him with
a glance of negligent curiosity that afternoon. He stopped marching her
along and said reflectively:--
“Lina Maynard, hey! Then you must be the gal that's down on Amy Steele
and would n't ask her to the party to-morrow. Say, ain't yer the one?”
Lina was too much bewildered by the sudden change of tack to do more
than stammer inarticulately. I am afraid that in her terror she would
have been capable of denying it, if she had thought that would help
her. Her captor reflected more deeply, scratched his head, and finally,
assuming a diplomatic attitude by thrusting his hands in his pocket,
remarked:--
“I s'pose ye 'd like it dummed well ef I was to let yer go and say
nothin' more about it. I reelly don't s'pose I 'd orter do it; but it
riles me to see Amy comin' home cryin' every day, and I 'll tell ye what
I 'll do. Ef you 'll ask her to yer fandango to-morrer, and be friends
with her arterward so she 'll come home happy and cheerful like, I 'll
let ye go, and if ye don't, I 'll put ye in jug overnight, sure's taxes.
Say Yes or No now, quick!”
“Yes, yes!” Lina cried, with frantic eagerness.
There was scarcely any possible ransom he could have asked that she
would not have instantly given. She dared not credit her ears, and stood
gazing at him in intense, appealing suspense, as if he might be about to
revoke his offer. But instead of that, he turned down the huge collar of
the old overcoat, took it off, threw it on the ground, and, turning
up the slouch of his hat, stood before her a very good-looking and
well-dressed young gentleman, whom she at once recognized and at length
identified in her mind as the one walking with Amy that afternoon, which
now seemed weeks ago. He bowed very low, and said earnestly enough,
though smiling:--
“I humbly beg your pardon.”
Lina stared at him with dumb amazement, and he went on:--
“I am Arthur Steele. I came home on a vacation to-day, and was sitting
up to watch father's melon-patch for the pure fun of it, expecting to
catch some small boys, and when I caught you, I couldn't resist the
temptation of a little farce. As for Amy, that only occurred to me at
the last; and if you think it unfair, you may have your promise back.”
Lina had now measurably recovered her equannimity, and, ignoring his
explanation, demanded, as she looked around:--
Public-domain text, read in full here on John Shaqi.
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