Hopes and Fears: or, scenes from the life of a spinsterYonge, Charlotte M. (Charlotte Mary)
General
Hopes and Fears: or, scenes from the life of a spinster
Yonge, Charlotte M. (Charlotte Mary)
England -- Social conditions -- 19th century -- Fiction; Single women -- Fiction
This ebook was transcribed by Les Bowler.
[Picture: Frontispiece]
HOPES AND FEARS
OR
SCENES FROM THE LIFE OF A SPINSTER
BY
CHARLOTTE M. YONGE
[Picture: Title picture]
_ILLUSTRATED BY HERBERT GANDY_
London
MACMILLAN AND CO., LIMITED
NEW YORK: THE MACMILLAN COMPANY
1899
_All rights reserved_
LIST OF ILLUSTRATIONS.
"She felt, rather than saw him watching her all _Frontispiece_
the way from the garden-gate to the wood."
"I find I can't spare you, Honora; you had better _Page_ 11
stay at the Holt for good."
"He drew the paper before him. Lucilla started _Page_ 296
to her feet."
PART I
CHAPTER I
Who ought to go then and who ought to stay!
Where do you draw an obvious border line?
_Cecil and Mary_
Among the numerous steeples counted from the waters of the Thames, in the
heart of the City, and grudged by modern economy as cumberers of the soil
of Mammon, may be remarked an abortive little dingy cupola, surmounting
two large round eyes which have evidently stared over the adjacent roofs
ever since the Fire that began at Pie-corner and ended in Pudding-lane.
Strange that the like should have been esteemed the highest walk of
architecture, and yet Honora Charlecote well remembered the days when St.
Wulstan's was her boast, so large, so clean, so light, so Grecian, so far
surpassing damp old Hiltonbury Church. That was at an age when her
enthusiasm found indiscriminate food in whatever had a hold upon her
affections, the nearer her heart being of course the more admirable in
itself, and it would be difficult to say which she loved the most
ardently, her city home in Woolstone-lane, or Hiltonbury Holt, the old
family seat, where her father was a welcome guest whenever his
constitution required relaxation from the severe toils of a London
rector.
Public-domain text, read in full here on John Shaqi.
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