Hopes and Fears: or, scenes from the life of a spinsterYonge, Charlotte M. (Charlotte Mary)
General
Hopes and Fears: or, scenes from the life of a spinster
Yonge, Charlotte M. (Charlotte Mary)
England -- Social conditions -- 19th century -- Fiction; Single women -- Fiction
So mused Honora Charlecote, and then ran indoors, with bounding step, to
her Schiller, and her hero-worship of Max Piccolomini, to write notes for
her mother, and practise for her father the song that was to refresh him
for the evening.
Nothing remarkable! No; there was nothing remarkable in Honor, she was
neither more nor less than an average woman of the higher type.
Refinement and gentleness, a strong appreciation of excellence, and a
love of duty, had all been brought out by an admirable education, and by
a home devoted to unselfish exertion, varied by intellectual pleasures.
Other influences--decidedly traceable in her musings--had shaped her
principles and enthusiasms on those of an ardent Oxonian of the early
years of William IV.; and so bred up, so led by circumstances, Honora,
with her abilities, high cultivation, and tolerable sense, was a fair
specimen of what any young lady might be, appearing perhaps somewhat in
advance of her contemporaries, but rather from her training than from
intrinsic force of character. The qualities of womanhood well developed,
were so entirely the staple of her composition, that there is little to
describe in her. Was not she one made to learn; to lean; to admire; to
support; to enhance every joy; to soften every sorrow of the object of
her devotion?
* * * * *
Another picture from Honora Charlecote's life. It is about half after
six, on a bright autumnal morning; and, rising nearly due east, out of a
dark pine-crowned hill, the sun casts his slanting beams over an
undulating country, clothed in gray mist of tints differing with the
distance, the farther hills confounded with the sky, the nearer dimly
traced in purple, and the valleys between indicated by the whiter,
woollier vapours that rise from their streams, a goodly land of fertile
field and rich wood, cradled on the bosoms of those soft hills.
Nestled among the woods, clothing its hollows on almost every side, rises
a low hill, with a species of table land on the top, scattered over with
large thorns and scraggy oaks that cast their shadows over the pale buff
bents of the short soft grass of the gravelly soil. Looking southward is
a low, irregular, old-fashioned house, with two tall gable ends like
eyebrows, and the lesser gable of a porch between them, all covered with
large chequers of black timber, filled up with cream-coloured cement. A
straight path leads from the porch between beds of scarlet geraniums,
their luxuriant horse-shoe leaves weighed down with wet, and china
asters, a drop in every quilling, to an old-fashioned sun-dial, and
beside that dial stands Honora Charlecote, gazing joyously out on the
bright morning, and trying for the hundredth time to make the shadow of
that green old finger point to the same figure as the hand of her watch.
Public-domain text, read in full here on John Shaqi.
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