Let us examine first the Satires and Epistles. The word "Satire" meant originally a _farrago_, a medley of various topics in various styles and metres. But all early writings of this kind have perished; and the first extant Latin satirist, Lucilius, who lived in the second century B.C., devoted his pen to castigating the vices of contemporary society and of living individuals. This style of writing, together with his six-foot measure, called hexameter, was adopted by the ethical writers who followed him, Horace, Persius, Juvenal; and so gave to the word satire a meaning which it retains to-day. In more than one passage Horace recognizes Lucilius as his master, and imitates him in what is probably the earliest, certainly the coarsest and least artistic of his poems; but maturer judgement, revolting later against the censorious spirit and bad taste of the older writer, led him to abandon his model. For good taste is the characteristic of these poems; they form a comedy of manners, shooting as it flies the folly rather than the wickedness of vice: not wounding with a red-hot iron, but "just flicking with uplifted lash," Horace stands to Juvenal as Chaucer stands to Langland, as Dante to Boccaccio. His theme is life and conduct, the true path to happiness and goodness. I write sermons in sport, he says; but sermons by a fellow-sinner, not by a dogmatic pulpiteer, not by a censor or a cynic. "Conversations" we may rather call them; the polished talk of a well-bred, cultured, practised worldling, lightening while they point the moral which he ever keeps in view, by transitions, personalities, ironies, anecdotes; by perfect literary grace, by the underlying sympathy whereby wit is sublimed and softened into humour.