He lashes the legacy-hunters, who, in a time when disinclination to marriage had multiplied the number of childless old men, were becoming a curse to society; gives rules with affected seriousness for angling in a senior's hoards (Sat. II, v). Be sure you send him game, tell him often how you love him, address him by his first, what we should call his Christian, name--that tickles sensitive ears. If he offers you his will, refuse to read it, but glance sidelong at the line where the names of legatees are written. Praise his bad verses, shoulder a way for him in the streets, entreat him to cover up from cold his dear old head, make up to his housekeeper, flatter him till he bids you stop. Then when he is dead and you find yourself his heir, shed tears, spend money on his funeral, bear your honours meekly--and go on to practise upon someone else. And he throws in a sly story of a testatrix who bequeathed her money on condition that the heir should carry to the grave upon his naked shoulders her body oiled all over; he had stuck to her all her life, and she hoped to shake him off for a moment after death. He enforces the virtue of moderation and contentment from Aesop's fables, of the frog, of the daw with borrowed plumage, of the lean weasel who squeezed himself into a granary through a tiny hole, and grew so fat that he could not return; from the story of Philippus, who amused himself by enriching a poor man to the ruin of his victim's peace and happiness (Ep. I, vii, 46); and from the delightful apologue of the City and the Country Mouse (Sat. II, vi). He denounces the folly of miserliness from the example of the ant, provident in amassing store, but restful in fruition of it when amassed; reproves ill-natured judgement of one's neighbours almost in the words of Prior, bidding us be to their faults a little blind and to their virtues very kind, softening their moral blemishes as lovers and mothers euphemize a dear one's physical defects. (Sat. I, iii) "You will not listen to me?" he stops now and then to say; "I shall continue to cry on all the same until I rouse you, as the audience in the theatre did the other day" (Sat. II, iii, 60). For it seems that one Fufius, a popular actor, assumed in a tragedy the part of Trojan Ilione, whose cue was to fall asleep upon the stage until roused with a whisper of "Mother awake!" by the ghost of her dead son Deiphilus. Poor Fufius was tipsy, fell asleep in earnest, and was insensible to the ghost's appeal, until the audience, entering into the fun, unanimously shouted, "Wake up, Mother!" Some of you, I know, he goes on, will listen, even as Polemon did (Sat. II, iii, 254). Returning from a debauch, the young profligate passed the Academy where Xenocrates was lecturing, and burst riotously in. Presently, instead of scoffing, he began to hearken; was touched and moved and saddened, tore off conscience-stricken his effeminate ornaments, long sleeves, purple leggings, cravat, the garland from his