On the other hand, his Ode to Melpomene (IV, iii), written in the consciousness of accepted eminence as the national poet, "harpist of the Roman lyre," breathes a sentiment of gratitude to Divinity far above the typical poetic cant of homage to the Muse. And his fine Secular Hymn, composed by Augustus's request for the great Century Games, strikes a note of patriotic aspiration and of moral earnestness, not unworthy to compare with King Solomon's Dedication Prayer; and is such as, with some modernization of the Deities invoked, would hardly misbecome a national religious festival to-day. It was sung by twenty-seven noble boys and as many high-born maidens, now in antiphon, now in chorus, to Apollo and Diana, as representing all the gods. Apollo, bless our city! say the boys. Dian, bless our women and our children, say the girls, and guard the sanctity of our marriage laws. Bring forth Earth's genial fruits, say both; give purity to youth and peace to age. Bring back the lapsed virtues of the Golden Age; Faith, Honour, antique Shame-fastness and Worth, and Plenty with her teeming horn. Hear, God! hear, Goddess! Yes, we feel our prayers are heard-- Now homeward we repair, Full of the blessed hope which will not fail, That Jove and all the gods have heard our prayer, And with approving smiles our homage hail: We, skilled in choral harmonies to raise The hymn to Phoebus and Diana's praise. Of course in all this there is no touch of ecstasy; no spark of the inspiration which in a St. Francis, a St. Teresa, or a Charles Wesley, scales the heights of hymnody. And, as the unimaginative Roman temperament lacked the instinct of adoration, so was it deficient in that other constituent of supernatural faith, the belief in immortality. There might be a shadowy world--the poets said so--Odysseus visited its depths and brought back its report--but it was a gloomy place at best. Horace alludes to it always in the tone of the Hebrew Psalmists, or of Hezekiah sick to death, utilizing Minos and Cerberus and Tantalus and Sisyphus for poetic effect, yet ever with an undertone of sadness and alarm. Not Orpheus' self, he says (I, xxiv, 13), in his exquisite lament for dead Quinctilius, can bring back life-blood to the phantom pale who has joined the spectral band that voyage to Styx: the gods are pitiless--we can only bear bereavements patiently (II, iii). You must leave, my Dellius, your pleasant groves and your cottage upon Tiber's banks, since Orcus, ruthless king, swoops equally on all: Land, home, and winsome wife must all be left; And cypresses abhorred, Alone of all the trees That now your fancy please, Shall shade his dust who was awhile their lord. (II, xiv, 21.)