Horace; Poets, Latin -- Biography; Rome -- History -- Augustus, 30 B.C.-14 A.D. -- Biography; Rome -- Intellectual life
Poor Lyce indeed! what had she done to be so scourged? One address we
miss: there is no ode in this book to Maecenas, who was out of favour
with Augustus, and had lost all political influence. But the friend is
not sunk in the courtier. The Ides or 13th of April is his old patron's
birthday--a nativity, says Horace, dearer to him almost than his own,
and he keeps it always as a feast. With a somewhat ghostly resurrection
of voluptuousness dead and gone he bids Phyllis come and keep it with
him. All things are ready, a cask of Alban nine years old is broached,
the servants are in a stir, the altar wreathed for sacrifice, the flames
curling up the kitchen chimney, ivy and parsley gathered to make a
wreath for Phyllis' hair. Come then, sweet girl, last of my loves; for
never again shall this heart take fire at a woman's face--come, and
learn of me a tune to sing with that dear voice, and drive away dull
care. I am told that every man in making love assures the charmer that
no woman shall ever succeed her in his regards; but this is probably
a veritable amorous swan-song. He was older than are most men at
fifty-two. Years as they pass, he sadly says, bereave us one by one
of all our precious things; of mirth, of loves, of banquets; at last
the Muse herself spreads wings to follow them. "You have sported long
enough," she says, "with Amaryllis in the shade, you have eaten and
drunk your fill, it is time for you to quit the scene." And so the
curtain falls.
* * * * *
To our great loss there is no contemporary portrait of Horace. He
tells us himself (Ep. II, ii, 214; I, xx, 29) that he was short of
stature, his hair black but early tinged with grey; that he loved to
bask in sunshine, that his temper was irascible but easily appeased.
In advanced life he became fat; Augustus jests with him rather coarsely
on his protuberant figure. The portrait prefixed to this volume is
from a Contorniate, or bronze medallion of the time of Constantine,
representing the poet's likeness as traditionally preserved amongst
his countrymen three hundred years after his death.
Public-domain text, read in full here on John Shaqi.
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