"The gods have heard, the gods have heard my prayer;
Yes, Lyce! you are growing old, and still
You struggle to look fair;
You drink, and dance, and trill
Your songs to youthful love, in accents weak
With wine, and age, and passion. Youthful Love!
He dwells in Chia's cheek,
And hears her harp-strings move.
Rude boy, he flies like lightning o'er the heath
Past withered trees like you; you're wrinkled now;
The white has left your teeth,
And settled on your brow.
Your Coan silks, your jewels bright as stars--
Ah no! they bring not back the days of old,
In public calendars
By flying time enrolled.
Where now that beauty? Where those movements? Where
That colour? What of her, of her is left,
Who, breathing Love's own air,
Me of myself bereft,
Who reigned in Cinara's stead, a fair, fair face,
Queen of sweet arts? But Fate to Cinara gave
A life of little space;
And now she cheats the grave
Of Lyce, spared to raven's length of days,
That youth may see, with laughter and disgust,
A firebrand, once ablaze,
Now smouldering in grey dust."
What had this wretched Lyce done that Horace should have prayed the gods
to strip her of her charms, and to degrade her from a haughty beauty
into a maudlin hag, disgusting and ridiculous? Why cast such very
merciless stones at one who, by his own avowal, had erewhile witched his
very soul from him? Why rejoice to see this once beautiful creature the
scoff of all the heartless young fops of Rome? If she had injured him,
what of that? Was it so very strange that a woman trained, like all
the class to which she belonged, to be the plaything of man's caprice,
should have been fickle, mercenary, or even heartless? Poor Lyce might
at least have claimed his silence, if he could not do, what Thackeray
says every honest fellow should do, "think well of the woman he has once
thought well of, and remember her with kindness and tenderness, as a man
remembers a place where he has been very happy."
Horace's better self comes out in his playful appeal to his friend
Xanthias (Odes, II. 4) not to be ashamed of having fallen in love with
his handmaiden Phyllis. That she is a slave is a matter of no account.
A girl of such admirable qualities must surely come of a good stock, and
is well worth any man's love. Did not Achilles succumb to Briseis, Ajax
to Tecmessa, Agamemnon himself to Cassandra? Moreover,
"For aught that you know, the fair Phyllis may be
The shoot of some highly respectable stem;
Nay, she counts, never doubt it, some kings in her tree,
And laments the lost acres once lorded by them.
Never think that a creature so exquisite grew
In the haunts where but vice and dishonour are known,
Nor deem that a girl so unselfish, so true,
Had a mother 'twould shame thee to take for thine own."
Public-domain text, read in full here on John Shaqi.
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