"And well may I prize it, and hail its returning--
My own natal-day not more hallowed nor dear;
For Maecenas, my friend, dates from this happy morning
The life which has swelled to a lustrous career.
You sigh for young Telephus: better forget him!
His rank is not yours, and the gaudier charms
Of a girl that's both wealthy and wanton benet him,
And hold him the fondest of slaves in her arms.
"Remember fond Phaëthon's fiery sequel,
And heavenward-aspiring Bellerophon's fate;
And pine not for one who would ne'er be your equal,
But level your hopes to a lowlier mate.
So, come, my own Phyllis, my heart's latest treasure--
For ne'er for another this bosom shall long--
And I'll teach, while your loved voice re-echoes the measure,
How to charm away care with the magic of song."
This is very pretty and picturesque; and Maecenas was sure to be charmed
with it as a birthday Ode, for such it certainly was, whether there was
any real Phyllis in the case or not. Most probably there was not,--the
allusion to Telephus, the lady-killer, is so very like many other
allusions of the same kind in other Odes, which are plainly mere
exercises of fancy, and the protestation that the lady is the very, very
last of his loves, so precisely what all middle-aged gentlemen think it
right to say, whose "_jeunesse_," like the poet's, has teen notoriously
"_orageuse_."
It was probably not within the circle of his city friends that Horace
saw the women for whom he entertained the deepest respect, but by the
hearth-fire in the farmhouse, "the homely house, that harbours quiet
rest," with which he was no less familiar, where people lived in a
simple and natural way, and where, if anywhere, good wives and mothers
were certain to be found. It was manifestly by some woman of this class
that the following poem (Odes, III. 23) was inspired:--
"If thou, at each new moon, thine upturned palms,
My rustic Phidyle, to heaven shalt lift,
The Lares soothe with steam of fragrant balms,
A sow, and fruits new-plucked, thy simple gift,
"Nor venomed blast shall nip thy fertile vine,
Nor mildew blight thy harvest in the ear;
Nor shall thy flocks, sweet nurslings, peak and pine,
When apple-bearing Autumn chills the year.
"The victim marked for sacrifice, that feeds
On snow-capped Algidus, in leafy lane
Of oak and ilex, or on Alba's meads,
With its rich blood the pontiff's axe may stain;
"Thy little gods for humbler tribute call
Than blood of many victims; twine for them
Of rosemary a simple coronal,
And the lush myrtle's frail and fragrant stem.
"The costliest sacrifice that wealth can make
From the incensed Penates less commands
A soft response, than doth the poorest cake,
If on the altar laid with spotless hands."
Public-domain text, read in full here on John Shaqi.
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