Didactic fiction; Men -- United States -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
"No, you needn't; I'll see to you," answered Dolly. "If I notice you
edging up too near him, I'll give a loud ahem. Stay and amuse yourself;
you know you like it."
And Malachi Hill did like it. In his mission-work he was tirelessly
energetic, self-sacrificing, devoted; on the other hand, he was as fond
of merrymaking as a boy. He pulled the candy with glee, but also with
eager industry, covering platter after platter with his braided sticks.
His only rival in diligence was Chase, who also showed great energy.
Dolly pulled; Mrs. Franklin pulled; even Etheridge helped. Ruth did not
accomplish much, for she stopped too often; but when she did work she
drew out the fragrant strands to a greater length than any one else
attempted, and she made wheels of it, and silhouettes of all the
company, including Mr. Trone. Miss Billy had begun with much interest;
then, seeing that Larue had done nothing beyond arranging the platters
and plates in mathematical order on the table, she stopped, slipped out,
and went up-stairs to wash her hands. When she returned, fortune favored
her; the only vacant seat was one near him, and, after a short
hesitation, she took it. Larue did not speak; he was looking at Ruth,
who was now pulling candy with Horace Chase, drawing out the golden rope
to a yard's length, and throwing the end back to him gayly.
Finally, when not even the painstaking young missionary could scrape
another drop from the exhausted pot, Dolly, taking her violin, played a
waltz. The uncarpeted floor was tempting, and after all the sticky hands
had been washed, the dancing began--Ruth with Chase, Etheridge with Miss
Billy; then Etheridge with Mrs. Franklin, while Miss Billy returned
quickly to her precious chair.
"But these dances do not compare with the old ones," said Mrs. Franklin,
when they had paused to let Dolly rest. "There was the mazurka; and the
varsovienne--how pretty that was! La-la-la, la, _la_!" And humming the
tune, she took a step or two lightly. Etheridge, who knew the
varsovienne, joined her.
"Go on," said Ruth. "I'll whistle it for you." And sitting on the edge
of a table she whistled the tune, while the two dancers circled round
the kitchen, looking extremely well together.
"Whistling girls, you know," said Chase, warningly.
He had joined Ruth, and was watching her as she performed her part. She
kept on, undisturbed by his jests, bending her head a little to the
right and to the left in time with the music; her whistling was as clear
as a flute.
"And then there was the heel-and-toe polka. Surely you remember that,
commodore," pursued Mrs. Franklin, with inward malice.
For the heel-and-toe was a very ancient memory. It was considered old
when she herself had seen it as a child.
"Never heard of it in my life," answered Etheridge. "Hum--ha."
"Oh, I know the heel-and-toe," cried Ruth. "I learned it from mother
ages ago, just for fun. Are you rested, Dolly? Play it, please, and
mother and I will show them."
Public-domain text, read in full here on John Shaqi.
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