In the domain of literature, Walpole’s opinions were largely influenced by his social position and personal connexions. He rated the class of professional writers as much below as they have ever been rated above their real deserts; and this may perhaps help to explain the rancour with which he has been pursued by some critics. He could see nothing wonderful in the art of stringing sentences together. He met famous authors daily in society, and did not find that they were wiser or more accomplished than their neighbours. Most of them showed to little advantage in the drawing-rooms in which he felt his own life completest. Gray seldom opened his lips; Goldsmith “talked like poor poll”; Johnson was Ursa Major--a brute with whom Horace declined to be acquainted; Hume’s powers of mind did not appear in his broad unmeaning face, nor animate his awkward conversation; even Gibbon made a bad figure as often as any doubt was hinted as to the transcendent importance of his luminous or voluminous history. As for the novelists, neither Fielding nor Richardson ever ascended to the sublime heights in which Horace dwelt at ease. Stories circulated there of vulgar orgies amidst which the biographer of Tom Jones performed his police functions, and of requests made by the author of “Clarissa” to his female admirers for information as to the manners of polite life. Walpole shrank from the coarseness of the one, and smiled at the attempts of the other to describe a sphere which he had never entered. We are not to suppose, however, that Horace was as blind to the gradations of literary rank as some would have us believe. When he told Mann that _The World_ was the work of “our first writers,” instancing Lord Chesterfield, Sir Charles Hanbury Williams, and other well-born dilettanti whose names have now sunk into oblivion or neglect, it is clear that he was speaking with reference to the matter in hand. It did not occur to him that great historians and poets would be likely or suitable contributors to a series of light papers intended for the macaronis of the hour. What he regarded as the chief qualification of himself and his friends who wrote for this fashionable journal was their familiarity with the tone of the best society. For himself, Walpole constantly disclaimed all pretence to learning or exact knowledge of any kind, and, due allowance made for the vanity of which undoubtedly he owned an ample share, there seems no reason to question his sincerity. We conceive, indeed, that his estimate of his own talents and acquirements was much more accurate than it has usually been considered. In all that related to literary fame, his vanity showed itself rather in depreciating the advantages which he had not, than in exalting those which he possessed. If he did not worship style, still less was he disposed to bow down before study and research. Hence the low esteem in which he held authors of all kinds. Some excuses may be made for his disparaging criticisms.