ONE almost expects to see a fine green moss all over an inhabitant of Steyning. One day as I passed through the town I saw a man painting a new sign over a shop, a proceeding that so aroused my curiosity that I stood for a minute or two to look on. The painter filled in one letter, gave a huge yawn, looked up and down two or three times as if he had lost something, and finally descended from his perch and disappeared. Five weeks later I passed that way again, and it is a fact that the same man was at work on the same sign. Perhaps when the reader takes the walk I am about to recommend to his attention--a walk which comprises some of the finest scenery in Sussex--that sign will be finished, and the accomplished artist will have begun another; but I doubt it. There is plenty of time for everything in Steyning. LOUIS JENNINGS. THE OLD COUNTRY HOUSE IF our old English folk could not get an arched roof, then they loved to have it pointed, with polished timber beams on which the eye rested as on looking upwards through a tree. Their rooms they liked of many shapes, and not at right angles on the corners, nor all on the same dead level of flooring. You had to go up a step into one, and down a step into another, and along a winding passage into a third, so that each part of the house had its individuality. To these houses life fitted itself and grew to them; they were not mere walls, but became part of existence. A man's house was not only his castle, a man's house was himself. He could not tear himself away from his house, it was like tearing up the shrieking mandrake by the root, almost death itself. . . . Dark beams inlaid in the walls support the gables; the slight curve of the great beam adds, I think, to the interest of the old place, for it is a curve that has grown and was not premeditated; it has grown like the bough of a tree, not from any set human design. This too is the character of the house. It is not large, not overburdened with gables, not ornamented, not what is called striking, in any way, but simply an old English house, genuine and true. The warm sunlight falls on the old red tiles, the dark beams look the darker for the glow of light, the shapely cone of the hop-oust rises at the end; there are swallows and flowers and ricks and horses, and so it is beautiful because it is natural and honest. It is the simplicity that makes it so touching, like the words of an old ballad . . . why even a tall chanticleer makes a home look homely. I do like to see a tall proud chanticleer strutting in the yard and barely giving way as I advance, almost ready to do battle with a stranger like a mastiff. JEFFRIES, _Buckhurst Park._ [Illustration: IV UPTHORPE-CUM-REGIS _The Hall_] THE BEDESMEN