Hot corn: Life Scenes in New York Illustrated — John Shaqi
Hot corn: Life Scenes in New York IllustratedRobinson, Solon
General
Hot corn: Life Scenes in New York Illustrated
Robinson, Solon
New York (N.Y.) -- Social life and customs -- 19th century -- Fiction; Temperance -- Fiction
Why don't she say, "It is my husband?" and then they would give her
room, or the officers would make them. Why! why don't she say it? She is
ashamed to tell unfeeling hearts how low she has been sunk in the world
since first she called that man by that name, or heard those
heart-touching words when their first child was born.
Husband was a sweet word once; it is a bitter one now; yet it must be
spoken, for they are about to bear him away to the hospital. Whether
dead or alive she knows not, and she rushes madly forward, seizing the
policeman, with a cry of, "No, no; not there, not there; take him home,
I will take care of him--nobody can take care of him so well as I can.
Oh, let me take him home! Do let me take him home." What could she do
with him in her one room, the home of herself and children. She could
not stay to nurse him day after day, for then her trade would be lost;
somebody else would take her stand; there would be no income, all would
be outgo, and all would soon be exhausted; nothing to buy bread, nothing
to pay rent, and then out must go the whole, sick or well; they must go
in the street if they fail to meet that dreaded periodical--the rent
day. There is no help for it. All this is hastily considered, and there
is no other way; he must go to the hospital. 'Tis a blessed
institution--a noble honor to the city, charitably sustained, to give
relief to--who? A thousand just such subjects as this; made drunk,
covered with gore, maimed with broken limbs, by a legalized traffic in
hell's best aid on earth. A trade that fills jails, thieves-dens, and
brothels, and furnishes subjects like this for hospitals.
"He must go to the hospital."
"Then I will follow and nurse him there."
There spoke the wife, as, ever since that holy name was known, the wife
has spoken--can speak alone.
How can she go?
Something clings to her dress and pulls her back. She looks around upon
a little boy and girl--it is the hot corn girl, just driven from the
banking-house steps three squares below.
"Mother, mother, do speak to us; it is Bill and me. Is father dead? What
killed him?"
Public-domain text, read in full here on John Shaqi.
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