Hot corn: Life Scenes in New York IllustratedRobinson, Solon
General
Hot corn: Life Scenes in New York Illustrated
Robinson, Solon
New York (N.Y.) -- Social life and customs -- 19th century -- Fiction; Temperance -- Fiction
"Yes, sir; don't she write pretty? I can write too, but not like that."
"Well, I shall call and see your mother, if I want work. Here is the
money for the gloves."
"I cannot make change; have you got the change, or shall I run out and
get it changed? I will if you will keep my basket."
"No, no; I do not wish any change. You may keep it all."
"Oh, that is just the way that good old gentleman said last night--keep
it all. Ah, me!"
And she gave a little start of surprise as she looked at the individual
who seemed to be standing behind my chair.
"Why, here he is now. I do wonder if he has heard me talking all about
him? I hope I have not said anything wrong."
"No, no, nothing that you need to blush for. I am glad you have found
another friend to talk with; one who is willing to pay you for the
time--time is money--that he keeps you from your business."
It was my turn to start now. I had heard that voice before. In a moment
I could fix it in my memory, though it was a good many years since I had
heard it, and then it was in the wilds of the West. I offered him my
hand, and said:
"We have shaken hands before. Your name is--"
"Lovetree. And now I know you. I thought it was some one whom I had seen
before. I saw you in such earnest conversation with this little pedlar
girl, that I could not help drawing nigh to hear; I must own I wished to
see if she would tell you the same story she did me. I think now she is
a girl of truth. What can we do for her? Shall we go and see her
mother?"
"I wish you would to-morrow. She is not at home to-night. She has
gone--at any rate she told me she would go to see a lady, a real good
lady, who is worse off than my mother, for she is in a bad house, and
she wants to get away; she told me so to-day, and they will not let her.
She is one of the best women in the world. She is a dress-maker, and she
used to live so nice in Broome street, close by my mother, with another
good girl, and that girl got married and moved away off out West, I
don't know how many thousand miles; and this girl got married too; and,
oh dear! her husband used to get so drunk, and go to bad places, and his
wife used to work and work; my mother used to work for her, and she was
good to my mother, and that is what makes me so sorry for her now."
"How came she in the bad house you tell of, and how did you come to find
her there?"
Public-domain text, read in full here on John Shaqi.
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