Hot corn: Life Scenes in New York IllustratedRobinson, Solon
General
Hot corn: Life Scenes in New York Illustrated
Robinson, Solon
New York (N.Y.) -- Social life and customs -- 19th century -- Fiction; Temperance -- Fiction
"Oh my, I cannot tell you all about it, I don't know; I know she had an
auction, and she went away in a carriage, and I felt so sorry, and I did
not know where she went; but to-day, I saw that same carriage, and saw
her with that same woman, and I followed it home, and then I went up to
the door, and I told the girl I had come to see Mrs. Morgan; that was no
lie, for I had, if I did not know before that she was there; and that
Mrs. Morgan wanted to buy some needles; that was a lie; but what should
I say, I wanted to see her so bad; and then the girl said, she was not
there, that there was no Mrs. Morgan in the house, and then I felt bad,
because I knew she was there, and I was afraid something was wrong, and
I began to cry, indeed, sir; don't laugh at me, I could not help it, I
would have cried my eyes out to see her, but the girl said, she was not
there, and I said, I saw her come there in the carriage, just a minute
ago; and then another girl told the servant girl, it was Lucy, Lucy
Smith, that I wanted to see; but I knew it was not, but I thought I
would go up and see Lucy Smith, and may be she would tell me about Mrs.
Morgan; and so I went to Lucy Smith's room, and I rapped on the door,
and somebody said, come in; I thought I should go off, for I knew the
voice in a minute, and I opened the door, and then it was not Lucy
Smith, they only called her so for sham, and so that nobody would know
her; it was Mrs. Morgan. How glad I was to see her, and how glad she was
to see me; how she did hug me and kiss me, and call me her little pet;
and then she told me--but you don't want to hear--why did you not stop
me before--my mother says I always talk too much when I get a-going; I
am sorry that I have talked so much, but, oh, how I do wish you would go
and see Mrs. Morgan, and help her to get away from there; I will give
you all the money I have made to-day, to help you, and I am sure my
mother would give it as soon as I would, for she cried and took on so
when I told her. Oh dear! I know well enough she never would be a bad
woman, unless they made her."
"I do not understand this matter at all; do you?"
"Oh, yes, I replied, perfectly. Some poor unfortunate woman, with a
miserable, drunken husband, has been driven by necessity, probably to
take up her abode in some house of sin, where she finds her life
miserable, and is anxious to escape; I suppose that is it."
"Anxious to escape! Why, sir, you confuse me worse than ever. No one is
obliged to stay in such houses, are they? If she wished to go away, she
could go; it is her own sinful choice that she is there."
"Friend Lovetree, how long have you lived out West?"
"Well, some twenty-five years, I suppose. You have a short way of
turning a corner. Was I talking anything about the West?"
"No. Twenty-five years. This city has changed some in that time, and you
have got behind the times. You don't know as much as this little girl
about this matter. Ask her."
Public-domain text, read in full here on John Shaqi.
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