Hot corn: Life Scenes in New York IllustratedRobinson, Solon
General
Hot corn: Life Scenes in New York Illustrated
Robinson, Solon
New York (N.Y.) -- Social life and customs -- 19th century -- Fiction; Temperance -- Fiction
Coming up one of the streets west of Broadway, about one o'clock at
night, I saw a fellow hovering near a house, whom I recognized as a
Negro wood-sawyer that I had seen the day before, engaged at the same
house, putting wood down the cellar grate. I knew him or thought I did,
as a poor but honest man, and I felt pained with a fear that I had been
deceived, that he had left the grate unfastened, and now was about to
steal something from the cellar. I passed on around the next corner, out
of sight, and then turned back and crossed over, where I could have a
full view of his operations. There were no lamps burning, because there
should, or might have been moonlight, if it had been clear; as it was,
it was a fitting time for the burglar's trade. Directly, the fellow
approached the grate, opened it carefully, and drew up a trunk. My heart
beat with excitement, fear, and sorrow. I was just on the point of
calling, "Watch," I must own with a view of letting the fellow escape,
and saving the trunk, when I saw a bonnet, then a shawl, and then a full
suit of woman's clothes follow the trunk up from that dark recess. My
mind was somewhat relieved; my honest wood-sawyer might be honest still,
though he was probably assisting a dishonest woman; else why did she
leave that house, to all appearance, an honest house, for all that I had
ever seen in passing it a hundred times, in such a clandestine manner.
The Negro walked on with the trunk on his shoulder, and the woman
followed. It was a scene of such frequent occurrence, that it would
excite no suspicion or question from a policeman. He would think it was
a passenger by the train, from Boston, or Albany, or the Erie railroad,
all of which make midnight arrivals.
On they went, block after block, and I followed, till I thought the
chase likely to prove a long one, and then I stepped up to the woman,
and laying my hand upon her shoulder, said, "Stop!" She uttered a little
cry of alarm, and said, "Oh, don't take me up, please don't."
The Negro stopped, looked round, and set down the trunk hastily,
evidently supposing that a star had nabbed her, and that the better part
of a fight consists in running away. There was a light here, for the
lamp-lighters were just going their late rounds. He gave one glance back
before he started, to be sure he had good cause to run, and instantly
burst into a most merry fit of laughter, very unlike what might be
supposed that of a caught burglar.
[Illustration: "'SPEC A BODY HAS A RIGHT TO STEAL OWN TRUNK."--_Page
285._]
"Ha! ha! ha! ki, missee, you don't know dat gemman? You nebber seed dat
gemman 'fore? You tink him a star? Look at um. You tink he look so he
hurt you? He wouldn't hurt a child, much more a woman. I know dat
gemman. Ki, I mighty glad to see him. 'Spose tell him all about um? Spec
he say a body has a right to steal he own trunk, and run away from such
a house as dat."
"Such a house as that, Peter; is that not a good house?"
Public-domain text, read in full here on John Shaqi.
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